Obstacles to viewing movies—the
moral perspective and cultural standpoint are
inevitable. Any viewer will have his own moral shackles and cultural bloodlines of his own cultural environment, and unnatural feelings of rejection will occur during the viewing process, especially It is for scenes that contradict one's own emotions and knowledge, and it will produce a kind of discomfort.
For example, for the male protagonist in the film flirting between prostitutes, boss wives and ex-girlfriends, acting as a playboy and irresponsible, some people with strong traditional concepts of men and women in their hearts will have a rational resistance. It is different from subconscious resistance, because this subtle secret self-reprimand will be generated from the rational area and then penetrate the whole body.
Obstacles to viewing movies 2:
Inexplicable dialogue and incomprehensible way of speaking.
Some people think that French romance films are a three-minute break and a ten-minute break. It is absolutely an exception for men and women to spend more than three minutes in the same scene without going to bed. The French often say something inexplicable, such as a series of metaphors and satires when the officer uttered him at the beginning, which made people hilarious, and even he himself was almost amused by laughter. And the series of dialogues about his new career when he went to his ex-girlfriend's house.
Of course, for a person with more experience in French movie watching, he should not be unfamiliar with the flirtatious and flirtatious ability of the role of a father in a French family. The French are familiar with the same simple life problems. Always want to use as many angles and twists as possible to make him rich and colorful, of course, self-defeating from time to time cannot be avoided.
Question answer one: What is so good about making a mediocre movie with rough editing, casual photography and mediocre production?
This may be the biggest confusion for people who have not watched the Truffau movie. Others in the new wave usually shock the confused audience, such as Godard’s large sections of philosophical dialogue and misalignment of sound and pictures. , Rohmer's delicate literary brushstrokes are subtle interpretations of inner emotions.
As for Truffau, the first year of junior high school looks not even as good as the work of the students of the film school. The plot design is very loose, not paying attention to the control of plots and events, and the characters perform casually. If such a movie is put in China, it will definitely be criticized by the academy.
What exactly is Truffaut talking about? In fact, it is just one word, love. Yes, it is love, the most sincere love for life, for people, for sincere communication between people, and the strong desire to break the eternal loneliness of the individual's heart and the great impulse to appeal to it. Truffaut regards the film as his own record book, and uses 24mm film to record his love for life completely. Truffau’s courage lies in that he dared to use the boldest and bravest way to directly unfold the most fragile, most delicate and beautiful side of his heart in front of the audience, leaving no trace of the performance — no sensationalism. , There is no exaggeration and gorgeous rhetoric in the drama; Truffaut makes us believe that those classical emotions and noble mental states are not out of reach. He is our spiritual space in the seemingly rough and vulgar real world. Carve out a territory.
Sometimes, we always exaggerate some of our beautiful emotions that seem to be unattainable. In fact, we have all experienced it. The love and hope at that moment, I believe whether it is from the East or the West. , Whether it is freedom or tyranny, everyone once possessed, a kind of supreme pursuit of goodness and beauty, and an eternal attachment to the beautiful house in human nature.
View more about Stolen Kisses reviews
