The sun was shining today, and it was really boring to stay at home, so I went to watch the expected "Little Soldier".
In fact, looking at the name and poster, I think it's a martial arts movie. I have never liked martial arts. However, judging from the strong lineup promoted in this film and Jackie Chan's respectable patriotic behavior, he decided to contribute to the box office.
There is a big road that leads to my family.
My family lives in Yoliang and Liangshan. There
are five acres of soil and five
acres of fertile land under the mountain. What is the cultivation point?
Brother Jackie Chan climbed up in the pile of corpses and "captured" an enemy general who defended the country. (Wang Leehom), I want to carry him back to Liang Country, in exchange for a day when I will not go out to plant only five mu of fields in the future. I knew that in the end, the little man must release the general, because this way back home is a process of emotional exchange.
First of all, the overall grasp of the film is quite good. Although the line of the story is single and should be classified as a "road movie", it is almost two men in one drama, but its narrative style and plot are very compact and orderly. The protagonist of the literary drama is the protagonist, and the martial arts is the supplementary. The profound themes are in the details. It flows naturally and gradually sublimates, not empty, but with deep meaning. Secondly, the tone of the film is pretty good. The anti-war desire for a peaceful life runs through the simple and tense melody of the theme music "Rapeseed Flower". "Rapeseed Flower" begins with a rough and popular folk song. Through the first paragraph and the second paragraph, the layering and texture of the film are emphasized. The content of the lyrics also meticulously expresses a small person staring at a few acres of fertile land and longing. The mentality of retiring from armour and returning to the land has aroused people's reflection on war and the yearning for a peaceful and stable life that exists in everyone's heart. Again, the depth of the character's inner portrayal and the actors' performance is in place, which is quite good. In this film, Jackie Chan’s performance has a new breakthrough compared with the past. He no longer only relies on "actions" to speak, but allows "a heart" to come to the forefront, and his subtle heart is embedded in many details. Let the details speak, let the rich expressions speak. I remember an interview with Jackie Chan said that Jackie Chan’s previous films had a rule that Jackie Chan could not cry or die. In this movie, Jackie Chan did everything he couldn't do. In fact, I think it's just right. When it comes to family members, it is inevitable to be deeply attached. It is one of the few spiritual sustenances of this little man. In the end, he sacrificed his life for the country and completely ended a bitter comedy into a tragedy. Tragedy only has weight, and it can arouse the audience's thoughts. Finally, what I want to say is that the film is vulgar but not vulgar. It follows a "medium" between commercial films and art films. It is good to please the box office and the young artists.
I like the scene where Jackie Chan and Leehom Wang "face off" in the movie. Although the two sides are hostile, the biggest wish of Jackie Chan, the "little man", is to keep the captive alive. He doesn't ask for meritorious service, he just grows rice and rice and rapeseed in those few acres. pretty good.
I like the little humorous details in the movie. That stupid stammering beggar, Wang Baoqiang with only four lines. In fact, the atmosphere of the movie from the beginning is sad, but the details that Jackie Chan deliberately interprets always make people laugh. pretty good.
I like Jackie Chan lying on the ground, grabbing a wheat ear and chewing vigorously, and then pour all the water in the bamboo tube on the wheat ear. It is not only watering a seedling, a little green, but also watering a hope of life, the hope of a country. pretty good.
I like what Jackie Chan said to Leehom Wang when they fell into the cave with nowhere to go, "My father said, as long as you live, it's fine."
Finally, Jackie Chan finally went back with his "captive". Liang Guo. He raised the banner of Liang Guo, still stained with a little blood, and trembled proudly, then let Wang Leehom go. When he turned around and knew that his country no longer existed, and when the arrows passed through his chest, he seemed to see himself running among the rapeseed flowers, with the song:
A big river, yeah, yeah, my family
has a wife and children. Wa, Wafang,
chicken, fat, goose, fat, cattle, cattle, sheep, strong,
growing beans, growing rice, and rape blossoms
.
In fact, the general, do you know that the valuable piece of jade you mentioned was broken when the little man rescued you. You think that after turning around, what is waiting for his little person is the glory and wealth, but he has long been ruined and destroyed. You think he is a deserter who is greedy for life and fear of death, but he is actually the last Liang Guobing to fall, with little vision and dreams, full of humor and tenderness.
He just wants to live a stable and peaceful life, just want to grow rapeseed in his five acres of fertile fields.
Who says that everyone must do great things. In fact, we are all small people and we all have small dreams. So fine.
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