whether it is the obsessive pursuit of the 30th song of the album recorded before the death of Robert Johnson, or even abandoning his eugene marton majoring in classical guitar at the Juilliard School
or to Mississippi. The land has almost paranoid love "blinddog" willie brown
or even those musicians (including Wille)
who trade for the blues and the devil (including Wille). They are all crazy for the blues. This
film is a typical road film. On the road, Marton has experienced all kinds of experiences that he has never had in his life: hitchhiking, becoming a seller, taking out his guns for self-defense, performing in a black bar, and leaving his beloved. Finally, he understands the essence of blues.
Wille Brown deceived Marton into getting rid of the entanglement of nightmares. He brought out the guardianship, hoping to abolish the deal with the devil, and finally get relief with the help of marton.
As a person who likes blues, blues is so unattainable to me, maybe only living in the delta and living in The people of the Mississippi River have this honor to create your
PS, the editor of this film, John Fusco, is precisely the screenwriter of the King of Kung Fu. It seems that it is exactly what I said above. Everyone can only do what they are familiar with.
View more about Crossroads reviews
