glacier trilogy by Austrian director McHarnett. The best filmed was the second "Benny's Video". In fact, all three films talk about the same theme: the loss of communication.
The closer you get, the more you ignore the communication, or you lose the awareness and ability of communication. The desire to pay attention is ultimately vanished. In
"Benny's Video", this kind of shielding is everywhere. The communication platform between relatives relies entirely on video tapes, and the hierarchical relationship established by the exchange has a long and helpless transmission process. Parents don’t know or don’t want to understand their children’s motives for killing. The zealous efforts to destroy the corpse hoping to protect the children are just as futile as mocking the EU in the ending news to use their own understanding to resolve the contradictions between the three different races.
The boy is an outsider, his gaze is as blank and indifferent as the lens that runs through the film, both in and out of the film.
The victims in "Benny's Video" and the father and daughter in "71 Fragments of Chronicles of Opportunity" are all sighing characters, and the ordinary ones make people sad when they think of it.
Time passes easily, be kind to those around you.
"The Seventh Continent" has fallen asleep. It doesn't matter if you don't mention it, the
old director is a sensitive and delicate person. The life details depicted in the close-up and long shots are dull and unbearable, but he involuntarily re-examines those familiar and unfamiliar lives. Fragment, powerful.
The only dissatisfaction is that there are too many news clips, and the function is complete. I always want to enlarge the theme and make the ideological connotation more profound. It is annoying and the
ignorant is the most blessed.
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