The first part of Bei Jiu was still very exciting, a beautiful ode to joy. Later, when I played the Grosse Fugue, I thought it was very good. I don't understand why people at that time thought it was too aberrant.
Anna served as Beethoven's scribe, then gradually promoted to her life secretary and even Muse. Although the two had some ambiguous scenes, in the end, this haziness was not broken, and it did not develop into a slightly vulgar lolita scene that I didn't want to see.
Anna later chose Beethoven between her boyfriend and Beethoven. In fact, Beethoven only said, "I think your song is good and has potential. We can finish it together." But Anna and the architect boyfriend were indeed inappropriate. She worked hard to design the bridge for him, but he could not understand that she worked for Beethoven and wanted to go further in music development. Even when she asked him to listen to the premiere of Bei Jiu, At first, I was extremely reluctant, "Oh my God! I have to listen to Beethoven for two hours!" Then he said, "If you can stay with me for one night (to listen to the concert, because Anna lives in the nun's house and can't go out at night), I even went to listen to Beethoven". He could not understand her pursuit, since he and she came to Vienna with their own pursuits, his architecture and her music.
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