-------------------------------------------------- -----I have
finished four accounting paragraphs for six consecutive days. According to pass and devil without pass, it is the most sacred part of the CFA level. However, so far, I don't seem to have heard such complaints from the Chinese. It can be seen that the West is ignorant.
I was busy with cash flow last night, and it was too early to watch, so I rewarded myself. I watched Before Sunset, which I wanted to watch a long time ago but I have been holding back. After reading it, it didn't hurt or itchy, which was far from the great sorrow I originally expected. So that I am a little skeptical, maybe my perceptual sense of touch has been completely dull? Or maybe my "nin Gong" is already at its extreme, which has driven out the sentimentality that I had stored earlier?
More likely, there is too much preparation before the theater. For example, after watching Before Sunrise, I asked Rocky why Celine and Jesse would miss each other in six months. But I felt that immediately after nine years, the actors are not old and the audiences are going to get old. As a human being, you still have to treat yourself well. But because of this, they bothered to imagine their previous twists and turns. Later, I happened to listen to Julie Delpy (Celine's actor) album, but was moved by the waltz of that night. When I watched the MV, it came out of this play. I have communicated with my Taiwanese friend C, and even googled it in an eventful way. Ethan Hawke, who originally played Jesse (he is also one of the screenwriters), also fell into a marriage crisis during Before Sunset.
As a result, all the feelings seemed to be advanced, and only the empty person left me to confirm it again, oh I finally finished reading it. I still like this typical European-style story where there is no twists and turns, and the dialogue goes on. It is very real, but I still keep asking myself, in reality, men and women who don’t forget, they might meet again after nine years. Once they meet, they will talk about endless topics in one shot, and finally talk about the woman’s home. go with?
However, I was not disappointed either. This experience before Sunset is to warn me again, it’s not a good habit to set up a film, if it’s too long to warm up, people will inevitably take the tea.
Tonight, maybe I want to test my feelings again. Without thinking clearly, I opened an old film, the 80-year-old Le Dernier Métro (the last subway). When I was in Paris, I looked at it from the middle, which was not very refreshing. However, half of the time in the play is on the stage, and the director said that the actors rehearsed or performed officially. I really like the serious and divorced atmosphere. When Depardieu (the famous so-called big-nosed lover) told his painful and sweet love for Catherine Deneuve (she is relatively cold and always green), it was a little shocked. .
Of course, before reviewing this play, it was not that I had not imagined its conflicts. So the original feeling changed again, even if I turned off the lights and deliberately wanted to be closer to love. And again, I encountered an unexpected warm-up: L'amant de Saint-Jean (airang from Saint-Jean), who was lingering in the play, was listening to it many times. It is not Patrick Bruel's version. It is performed by Lucienne delyle. Through the thin electric waves, it is more melodious and nostalgic. Catherine helped her husband in the play cut his head, while telling him not to move. He was of Jewish descent under her cover and stayed in the cellar, immobile. He took a rubber nose muff and put it on, and laughed at himself. What makes him look like a Jew. This song floated on the radio. He twisted his voice loudly, said intently, and listened to it. I like this chanson best. And the story of music has already turned to the dying love. He was a little dignified, she didn't care about it at that time, and smiled.
This is a story that happened after the fall of Paris. Everyone has secrets that must be concealed, and relatives who must stand up to protect. Catlin protects her Luc, alone in the sun to bear the beam; Luc nests in the mouse hole, and the director cannot control it. One stretches and the other represses, forming their peculiar contradictions and unbalanced relationships before. As a man, he keenly felt the emotions between Catlin and Depardieu that were revealed through the drama, but there was nothing he could do. He is the director, and in the scene, he needs her to truly love another person.
All the main characters dealt with love in a relatively reserved and restrained manner, only bursting out in the drama dialogue. The love scene between Catlin and Depardieu is only one scene, and the romance is less than tens of seconds. Each of their common nights can only be loved for so long. Not far underground, Luc heard it really.
At the end of the film is a new play by Luc after the restoration of Paris, Catlin visits the ailing Depardieu to try to awaken the love between them. That was probably the communication tailored by Luc for the two of them. They have love, but they don't have a real foundation, so they have to stagnate in the abstract and vague distance.
Katrin has never deviated from Luc, she should also love Depardieu. At the curtain call, she firmly took the hands of the two men and smiled cheerfully at the audience. I went back and watched it again, and didn't start to be moved until here.
This time I revisited that feelings are a review, but my mind is often ignored. It is inevitable to experience the special realistic meaning in French films once again. It's like this theater, with a team of less than ten people, in a troubled world. If you want to live and play yourself, you have to deal with enemies and doglegs. It's not easy to take Joe, and you can't be ashamed of the artist's morals. Hard to do. Life is alive, why not so? You can't help but do it, take responsibility, be patient, and only offer a smile to everyone.
Such wartime scenes rarely smell of gunpowder against us, probably because the city, especially Paris, has to go on. The hatred of the French towards the Germans is often reflected in the attitude of these artists towards the pro-German media. They have to back down, but keep their distance. This is probably the last bottom line and the biggest concession they can allow themselves. After all, Catlin was still scolding the running dog secretly on stage, and Depardieu beat the dog. The backstage guy asked the running dog, do you know what it is? Compared to a pole, this is called a gaule (fishing rod), and another one, deux gaules, (homonymous De Gaulle), we like this gaule. Looking at these details, I felt a little sad, but still couldn't help laughing.
Speaking of the soundtrack of the movie, there is also a German melody called Bei mir bist du schoen (beside me, you are so beautiful), but unfortunately my level was so bad that I didn’t know it until I posted a notice. I should have missed it completely. smell. Friends who are interested, may wish to look for it again.
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