I especially like this love sketch because the director asked such a charming young lady to be the protagonist. She walked down the street in a coat and raised her head slightly. At that time, she was a proud and inaccessible swan; back home She wears colorful sweaters and cute pajamas, just like a lively and charming little sister next door, where she and her dear Yimi staged a romantic comedy.
I especially like it because the director presents the annoying daily quarrels between lovers in a special way. They yelled not to talk to each other, they still slept in the same bed, and they all had a tacit understanding of turning off the lights. I'm going to quarrel, not by mouth, but by picking up a lamp to find a book on the shelf, and expressing my unhappiness through the combination of book titles:
Angela: Monster
Yimi: Take your butt out of here
Angela: Executioner
Yimi: Peruvian Mummy
Angela: Imitation Artist
Yimi: Sardines
Yimi: All women
Angela: Execution Squad
Finally they reconcile, still borrow the title of the book:
Angela: Look at the big fool! Even if you don't love me, i love you
Yimi: What if you are really pregnant?
Angela: That's terrible
Yimi: I have an idea
Angela: Me too
Yimi: It's very simple. We can’t know for a while – are you
Angela: Pregnant
Yimi: Make sure
Angela: You made me pregnant like this
Yimi: I can be sure-to be the father of the child
Angela: Let's come~~
The first dispute was because Angela wanted to have a child, and Yimi didn’t want to. He asked his friend Fred to have a baby with Angela, but when they were alone in the same room, Yimi was fidgeting outside; Yimi even Pulling someone on the road to have a baby with Angela~Yimi threatened Angela to go to Mexico alone~He cursed Angela who wanted to have a baby as a fool~It really broke Angela's heart. She begged Yimi to give birth to a child at a time, and she was alone with Fred. She was thinking of Yimi. Fred hit the wall with her head to show her love for her. Angela went home and hesitated to pull down again and again. Awning, the final conclusion is: she also wants to go to Mexico. That's why the above sentence comes up: Even if you don't love me, I love you. Angela is a truly independent and free woman. Her independence prevents her from being controlled by male gaze. She can wear clothes that are not beautiful to everyone. She can love men who do not love her, even her fertility ideals are not. Relying on the hope of men.
See how Angela guides Yimi who wants to eat fish to eat roasted beef:
Angela: Do you want fish or meat?
Emile: Fish
Angela: If you want to eat beef, do you want to eat steamed or roasted?
Emil: Steamed
Angela: If you want to eat grilled, do you want half-cooked or fully-cooked?
Emir: Half-cooked
Angela: I’m not lucky, my dear. The roast beef I made was a bit too much.
The same method is used to get Yimi to have children together. This is the real reason why I like this movie! Because in real life, we cannot control our own destiny, and we cannot even "want" when we want to "want"
View more about A Woman Is a Woman reviews
