In this film, the director combines a horror film with a political conspiracy, and the feeling of helplessness in a foreign country is vividly expressed. The male lead is a restrained boy, and finally becomes a Greek super-British.
There is a pity here. The heroine died too quickly and it was worthless. It was entirely because the hero died that he drove to sleep, and the death was too unworthy. I don’t know if this is considered an anti-type, because in the past horror movies, the survivors were usually girls, and boys were often the ones who received their lunch in advance.
Except for jumping from a building to a car at the end of the film, the action of the whole film is full of clumsy realism. The less dazzling action narrows the distance between the movie and reality, and on the contrary produces the realism of fists and bullets.
I didn't plan to write much at first, just write something casually.
Compared to writing things, I prefer to talk about movies with people. I am helpless, and there are too few friends who have the same hobbies. I have to write here. Please don’t scold me again, my heart is not very good, thank you
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