I recently fell in love with an Indian actress, Radhika Apte, who attracted me to tearing up Indian movies some time ago. After careful study, she discovered that she is extraordinary, young, and only slightly famous in 2015. After that, she was shortlisted for Palme d'Or twice, and she is currently India's closest actor to an international film award. With Deepika Padukone and Piyaka Chopra, they are among the top three internationally renowned actresses in India. Then I learned about the Indian suspense film "Lonely Night" produced by Netflix in 2020 in which she is the heroine. I prefer its Japanese translation "Lonely Night" to be more relevant. Another attractive actor in this film is the male lead actor Nawazuddin Siddiqui (Nawazuddin Siddiqui), who has been nominated for more than a dozen movie stars in the Indian film industry. It can be said that two powerful actors in the Indian film industry contributed a performance feast in this film. The director of the film, Honey Trehan, is also worthy of a special book. As we all know, there are few directors of Indian genre films. Honey Trehan is an Indian genre film director. His previous works "Chittagong" and "The Sleepwalkers" are full of personality and have gained some internationally. Rong Liang, even some Indian media touted him as the Indian version of Christopher Nolan. Photographer Pankaj Kumar and editor A. Sreekar Prasad, as two film workers who have been working for major European literary film directors, also contributed high-quality photography and editing to this film. Compared to the hardware part, the software part of the film, which is the script, is extremely bad. The screenwriter of this film, Smita Singh, was a children’s comics screenwriter, and then moved to TV drama screenwriters. After watching the Hollywood word-of-mouth suspense film "Knife Out of the Sheath", he spent an afternoon writing the script, and then found the directors Honey Trehan and Honey Trehan. After reading it, I felt that the style was too cartoonish, so I added my own ideas and then it took another two days to change to the current content. The following content is recommended to watch after watching the movie: The film is two and a half hours long, without singing and dancing. The story of the film is roughly about a police detective from Kanpur investigating the murder of a rich man, and then he fell in love with the rich man’s new wife, who was unmarried, and she is also a suspect... This film is more inspirational than the creator. "The Knife Out of the Sheath" is more like the American drama "Six Feet Wind and Cloud". Within two and a half hours, the film is full of comic-style blank narratives, because the screenwriter is a comic writer. The script of this film has the same problem as the American drama "The Lady of the Stars" written by Jeff Jones, another American comic screenwriter. I don’t know how to write film and television scripts, and the experience of writing comics is applied to it. The audience does not understand the plot at all. Why should it develop like this? And as a realistic suspense film, the film is full of comic-style blanks, comic-style romantic narratives, and comic-style interludes, making the audience’s logic even more confusing. And the screenwriter cleverly played a narrative trick with a turtle's feet. If this movie cuts out a lot of comic-style plots, the script is still qualified. In a nutshell, if you want to watch two powerful Indian actors play against each other, you have to watch this movie. If you want to watch a suspense movie, I suggest you re-watch "The Knife Out of the Sheath".
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