Woody Allen’s serious movie, the middle-aged love part is no less than Eastwood’s 1995 "Covered Bridge Last Dream", except that this 88-year-old movie starts 35 minutes later In addition to the illusion of the stream of consciousness, the multiple combinations of replacement roles with low shooting and narrative skills are all made by Mia, who seems to be another conscious body of her own, to gradually guide the heroine to re-encounter and re-examine each stage of life. The relatives and friends they have been with and their relationships further break the illusion of a 50-year-old heroine of a fulfilled life. In fact, I feel that most people like the heroine, their lives are like the first half of the male lead in William Wheeler’s 1936 "The Tale of the Wife". The male lead chose a career between love and career. The heroine of the film is unwilling to have children, which ultimately leads to the end of the love with her master. This kind of Woody Allen emphasizes that he and his film continue to repeat the tragedy situation (that is, Nietzsche’s "eternal reincarnation"). This situation extends to the next husband. When another consciousness appears and gradually reveals this problem (the middle-aged married middle-aged man who loves the heroine first hinted at the derailment of the heroine's husband), the heroine and The feelings between the fishy husbands can't go back either. After the Great Enlightenment, the heroine also has a man who loves her but everyone can't be together. The real life is so unsatisfactory, and living in a deserted and lonely world will feel beautiful.
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