When I saw that J2 was not favored many times during the period, I wanted to give J2 a big hug.
In fact, J2 mentioned to the male protagonist many times about his dreams, dreaming that he and the male protagonist were in a car, and they were only driving and driving all the time. In fact, this paragraph is a hint.
It implies the male protagonist, and also hints to the audience: the male protagonist’s life is over in the car accident, and his life stays in the car.
The following analysis may be an over-analysis by myself, you can read it or not. At the end of the article, there are suggestions for revising the script.
In fact, J2 is more like a true portrayal of the male protagonist.
The female protagonist takes care of the child, so he cares less about the male protagonist, and thus the number of calls is reduced. The male protagonist is locked in the installation. He loves the female protagonist, but cannot get the response from the female protagonist. During the period, he even Both legs are lost.
Until the end, he made the choice to commit suicide.
…………
Remaining, do not make too much, excessive analysis.
This movie is more suitable for an open ending.
Maybe modify some content, delete the ending, and then in the film, design some small things to disappear, and things continue to disappear, and then finally those airplanes and invading people disappear.
In the last recollection clip, two hands were released. They were in the car accident, and the heroine's hand grabbed the heroine's hand instead of the heroine's hand, so that the audience can understand it, and It will become a very high-level movie...
Or, let the male protagonist have three dreams about car accidents. The first two times were the death of the female protagonist and the male protagonist grasped the hand of the female protagonist. The third nightmare was the death of the male protagonist, and the female protagonist grabbed the hand of the male protagonist. . (You can also let J3 have such a nightmare.)
The most important point is to modify my so-called over-analysis and add it to the script to finally turn my over-analysis into a reasonable one. In this way, the audience will naturally look at it and feel that things are not that simple. …
Instead of directly giving the picture presented in the ending.
To be like, "Inception", the last spinning top.
What the audience needs is not the real answer, what the audience needs is thinking.
Compared with the answer, humans prefer the question itself!
Finally, no matter how the plot is modified, I want to give J2 a hug.
Thanks for reading.
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