This may be the most detailed sub-shot description of the film. If reprinted, please refer to the author of Douyou.
/ Scorpions fighting each other 2 minutes before the film
"It shows in detail the viciousness and aggressiveness of the scorpion, and it can even poison a much larger mouse. Alluding to the struggle for social interests and resources, capital is as vicious as a scorpion, while setting the tone."
/ Subtitles: a few hours later
/ A sentry holding a rifle, looking around on the island, saw four priests (monks) praying
/ The sentry hurriedly returned and ran back on the rugged island path
/ The sentry returned to a ruined house on the island. There were 5 ragged soldiers in the house, including a strong boss and a soldier named Pero who was lying on a straw mat with severe injuries. The sentry told the boss that "Mallorcans (priests) are coming." The boss hurriedly let everyone escape through the back door, and Pero was seriously injured and unable to follow.
/ The group of five people was not far away, and the sentry fell down due to exhaustion. The other soldiers didn't seem to see them, and continued to advance hard, and fell one after another. In the end, only the boss is left.
"A metaphor for the relationship between capitalism and the Indians, so far as the pavement for the first 14 minutes of the film"
/ The curtain falls, Xiaodao River. Many boats lined up the river, the boats docked, and people disembarked on the island. The director showed the crowds on the island from multiple angles.
/ People discovered that the priest who was sitting on the island praying was gone, and there were only three sitting skeletons left. (Classic scene) The crowd pays tribute to the skulls taking off their hats, headed by the top hat man. The crowd found a stone tablet, and suddenly a woman cried out. It turned out that the male lead tried to rape the female lead. The crowd separated them and rescued the female lead.
/ Parallel editing, one side is the female protagonist sitting sadly in the toilet instead of being unhappy after being saved, and the other side is the male protagonist's same sad face pressed on the ground by the crowd. Interspersed with pictures of volcanic magma eruption in the middle.
/ A little white dog barked at the male lead, and the male lead broke free and kicked the dog.
/ The man in the bowler hat stood in front of the stone monument that was just discovered and gave a speech.
/ Subtitle: In 1930 AD, this stone in the place where the Mallorcans died marked the establishment of a city, the Roman Empire, once controlled by pagans, and is now the seat of the church in the secular world. In some respects, the Vatican is the strongest pillar of the church.
/ A minute-long view of the city of Rome, including street scenes. The houses on the street were blown up. A man walked while kicking a violin, and finally smashed it.
"This paragraph implies the degeneration of the city, where people abandon the dignity of art. 』
/ A man with a bread-shaped stone on his head walks into the park and finds a sculpture in the same shape as himself.
/ The two people continued to walk with the male lead. The male lead used a strong imagination and imagined a painting as an obscene scene. At this time, a person holding a photo of a woman's legs passed by, and the male protagonist continued to imagine a portrait on the street as the female protagonist.
/ The heroine is at home, with a longing look. She talks with her mother and discusses the issue of the band ball (later the duke’s banquet). After the discussion, the hostess returned to the room and found a cow standing on her bed. (Classic scene)
/ Parallel editing, the male protagonist is barked by a passing dog, the female protagonist is at home blurred and longing for the male protagonist, the female protagonist blows the air outside the window
/ The sound of the iron barrel stopped, and the male lead showed the documents from the "International Friendship Association" to the two escorting him, proving that he was a messenger of friendly communication, and then drove away in the car, and deliberately knocked down a blind man before leaving.
/ Subtitle: The Marquis entertains the guests. All the distinguished guests were all dressed in Chinese clothes, and they all entered. The heroine's father was talking with everyone, with a few flies crawling on his face, but people were indifferent.
/ A father with a spear teases his son to play.
/ The crowd entered the Marquis' mansion one after another, and a maid yelled with fire on her body, and no one had seen the same.
/ The father who teased his son shot and killed his son because his son had robbed him of something, and shot the boy's body with a shot. The guests of the Marquis Mansion returned angrily after hearing the gunshots and watching for a short time.
/metaphor. The hostess was anxiously waiting for something at the ball. The male protagonist dragged a skirt in and threw it on the sofa. The skirt was exactly the same as the female protagonist's.
"This is a sexual suggestion that the male protagonist grasps the mentality of the female protagonist"
/ The male and female protagonists want to communicate with each other, and people keep getting in the way. A lady poured wine for the male lead, and the wine accidentally spilled on the male lead. The male lead was furious and slapped the lady very hard. The crowd headed by the Marquis drove the male lead out of the ball, the lady was aggrieved and wept, but the female lead was sad because the male lead left.
/ The protagonist tried his best to return to the prom, and the two bypassed the crowd and hugged each other in the garden behind the prom. At this time, all the guests were listening to the concert on the grass in the backyard. No one found them.
/ Close shot, a broken palm stroking the face of the heroine. (Classic scene)
/ The two gnawed at the feet of the male lead and began to observe the statue, inserting a story about the priest, and the male servant walked into the back garden to notify the male lead to answer the phone. The call was made by the International Friendship Association. Through the call, we know that countless children are dying in the world, but neither of them is willing to be responsible.
/ The heroine's desire is hard to fill, sucking the toes of the statue, extremely wretched.
/ The hero returns to the garden to re-enter the passion with the heroine. The hero imagines that the heroine has become a white-haired old man.
"Some strange lines in this paragraph such as "I am so happy to kill our child", the male protagonist suddenly has blood on his face, etc. I think it can be used as a director to embody Freud's "Oedipus complex". deal with. 』
/ Orchestra conductor (a middle-aged bald man), suddenly got a headache, holding his head and leaving the scene, slowly walked into the back garden, holding the female protagonist and nibbling each other, the male protagonist witnessed in surprise, and then collapsed and left.
"My personal analysis of the meaning of this paragraph is anti-love, mocking human desires and suggesting that people are abusive? Can do it with anyone. At this time, the most annoying, annoying dense drum sound began to appear and continued until the end (up to 12 minutes). At the same time, the picture corresponding to this piece of music is the one with the most metaphors in the movie. 』
/ The protagonist tore through the feather pillow and threw things out of the room through the window one by one. Including branches on fire, a priest, wooden shelves and a giraffe.
/ Subtitle: The survivors of that country began to return to Paris.
/ A castle on a high mountain. Subtitle: One hundred and twenty days ago, four evil and lawless bastards, driven by the fall, shut themselves up and immersed themselves in the most animalistic indulgence. To them, a woman's life is not as important as a fly. They took eight young girls as victims of their own sinful desires, plus four women who are proficient in debauchery. Whenever interest is lost, their narrative skills can stimulate their tired appetites. These survivors of indulgence left the castle. The first are these four instigators-
/ In the last scene, Christ led three priests walking back and forth on the suspension bridge outside the castle. A wounded woman rushed out. Christ turned back into the castle and killed her. He changed his appearance when he came out of the castle.
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