Human nature and social thinking in a comedy cloak

Gabriel 2022-01-18 08:01:18

This is Chaplin’s second film with sound. In the film era where there is no need to design a lot of actions to express the plot, Chaplin can express richer and more conflicting plots through simultaneous voice, but the actions of the past silent film era It hasn't completely disappeared. The ability to combine this language with actions and expressions to express such a vivid expression, and to promote it, Chaplin can be regarded as the first person, directly affecting the later contemporary film superstars such as Jackie Chan and Kim Carey. And this "Mr. Verdoux" may have also influenced the "Cat and Mouse Game" decades later. In the 1940s before commercial films really took shape, films were often mixed with multiple factors and types. Most of Chaplin's early films did not have much connotation. To say yes, it was just sympathy for the lower class people, which was simple and easy. bright. In the last few movies, Chaplin began to add a lot of thoughts about human nature to the style of entertaining the public. However, a liar turned from harming to helping because of a few words from a tramp, even if this is not a kindness. It can also be said to be a sign and foreshadowing of the awakening of Mr. Verdoux's nature. In the end, Mr. Verdoux was sober in the blow of the Great Depression. Although his thoughts on human nature and social conflicts were not deep, although he still wore the cloak of comedy, his depth was better than that of "City Lights" and "Modern Times." It can be regarded as a buried classic.

View more about Monsieur Verdoux reviews

Extended Reading
  • Ethyl 2022-04-22 07:01:48

    #watchnotes# 340 To tell the truth, it must be better to shoot according to Orson Welles’s conception. Some jokes are funny for the sake of being funny, (such as taking a rich woman to see the house and falling from the window), if there is a female liar How wonderful the mutual blog should be, (the big beauty came out and thought it would be a female version of Verdu). I don't care much about the creator's personal morals, but the ego is too big and it hurts the quality of the work and makes people very angry.

  • Adrian 2022-03-26 09:01:12

    #CC#Chaplin's son once said that his father "would read Schopenhauer and Kant to cultivate his sentiments, but pure relaxation came from murder stories." This sentence sums up a "contradiction" well, just like Chaplin Lin said: "Life is mainly composed of contradictions and pain." If the body is the surface form of the will to survive, its screen incarnation "Charlotte" is so tenacious and optimistic, which hides the desire and optimism of director Chaplin in reality. effort. Chaplin bought the rights from Orson Welles and listed Welles on the credits. He didn't want to collaborate, but to monopolize the story. I thought in the commentary, Chabrol said that there was a scene where the dancer did not follow the dancer, but was fixed in place, and then advanced, and the person behind the dancer was finally frozen in the picture. "The two of them didn't dance (as close) as these two dancers did, but they could have or had the opportunity to do so. There's also another meaning, you can't say it's a fate, and I I don't know how to express it, this is a missed opportunity, time, and life, and after that point there is no going back."

Monsieur Verdoux quotes

  • Henri Verdoux: These are desperate days, my dear. Millions starving and unemployed.

  • Reporter: You'll have to admit, crime doesn't pay, does it?

    Henri Verdoux: No, sir. Not in a small way.

    Reporter: What do you mean?

    Henri Verdoux: To be successful in anything, one must be well-organized.

    Reporter: You're not leaving the world with that cynical remark?

    Henri Verdoux: To be idealistic in this moment would be incongruous, don't you think?

    Reporter: What's all this talk about good and evil?

    Henri Verdoux: Arbitrary forces, my good fellow. Too much of either will destroy us all.

    Reporter: We can never have too much good in the world.

    Henri Verdoux: Trouble is, we've never had enough. We don't know.

    Reporter: Listen, Verdoux, I've been your friend all through the trial. Now, give me a break, a story with a moral to it! You, the tragic example of a life of crime.

    Henri Verdoux: I don't see how anyone can be an example in these criminal times.