The balance of sophistication and fluidity is just right, and the sudden stop, jump cut and comedy genre of music are all natural. The camera's high and low indeterminate shooting method attracts attention at the beginning, it is very special and free, and the long lens is more agile. Panning shot and changing red and blue lighting have become Godard's style labels; Color also allows auteurs to express the beauty of their beliefs. It’s still the theme of women, the discussion of coward and fool about men and women, backlash against modern women, the discussion of women is not rigidly ideological (let me want to use Adam's Ribs to compare. Ride a bicycle in the room, use toys /zodiac to predict the date of pregnancy and fate, women's rebellion (husband does what they say) vague quarrels when brushing their teeth, the cold war uses the title of the book to curse... French nonsensical farce! All kinds of mismatch It makes people sigh too smart. For example, when the heroine curtain suggests, people around come to rub the fire. The image of the woman is very difficult to figure out. She is a woman wearing red stockings and she is also pure and pure with a double ponytail. People who look like babies, always gets things wrong; Belmondo’s wicked asshole is really a model of its own. I feel that Wong Kar-wai’s serial universe can also be learned from this. The exploration of the difference between men and women is to make the audience think, such as At the end of the hostess, she said that she had cheated, but she didn't actually film this episode. She filmed the host and other daughters in the hotel, but the host did not confess. The neighbors have always had different men coming to the door, and the couple kissing downstairs has not been separated. The husband Bringing his wife to the streets to "heavy money" for a child... etc. Very introspective. It can even be said that the details of the French stereotype of play out are very coherent and enrich the content. Farce or comedy?
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