This film is true and I didn't expect it to be a nuclear submarine war. I learned later that the sound wave in the play was so like a wolf howling that it had this name.
This movie does not have the thrilling and thrilling war scenes in "Rage" and "Saving Private Ryan", but there are waves of sound waves from the deep sea. At the same time, what is thought-provoking is the conspiracy between countries, the rules of war, and absolute loyalty to the country.
The rhythm before and after the film is not surprising or even a bit bad. I feel that the final plot is not tense at the beginning; the development of the male and female protagonists in the play feels dragged down the whole film and did not play a role in the development of the main line. It even feels that the theme of war has been reduced. Is it possible that it is just to let him find out that he has smoked marijuana? Still have to prove with the final screen that his skills have disappeared? But considering that it is France, maybe the existence of this story is also to confirm the existence of romance (forcibly explained).
When Golden Ear discovered that the other party had dropped a short-headed bullet, the top commander and others discovered the other party's conspiracy to provoke a war between the two countries, but before that, the president rashly issued a strike order. There is a line from the top commander: "No one can stop Gran Sharp from launching missiles. After receiving the strike order, the submarine captain will treat every intervention as the enemy's order. This is the rule of deterrence, and we There is no way to stop the nuclear submarine strikes that have already started! Because if the process is terminated, our nuclear deterrence does not exist." Until now, I can't understand what nuclear deterrence actually exists for them to make the highest commander say this. Then, the following plot also confirms that I beat myself for the benefit of the country and my loyalty to the country. I have never seen this spirit in any movie. The collective spirit in French films distinguishes American individual heroism the most (in these three films).
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