Absolutely did not understand, it seems that there is something to say:
Ordinary horses really exist in the real world. They don’t like things or sorrow them. They have never changed or moved rashly;
The older lonely female protagonist with a family history of hereditary diseases has long been indulged in the role substitution, psychological cues and future assumptions of science fiction plots, constantly strengthening subjective assumptions, frequently evolving personal hallucinations, and gradually worsening the surrounding interpersonal atmosphere. A normal social person quickly evolves into an abnormal sleepwalker who suspects panic and fear in the eyes of relatives and friends, and then a depressed, manic, socially ill patient, and finally a paranoid and self-sacrificing personal liberated person!
The female protagonist admits that she was born with the horse, and she feels that she is alive and willing to share weal and woe with each other. But this horse is a horse, ordinary rather than a spiritual beast, and has never had any emotional interaction with the heroine; on the contrary, the sensual, emotional and emotional surroundings of the horse (horse trainer's assistant rider) continue to worsen as the heroine's illness continues to deepen. Grade malignant evolution. At the end of the film, the heroine flies leisurely into the sky, and the horses eat grass in the mortal world, all in peace and destiny.
From this perception of "The Girl Who Loves Horses": The horse is still the horse, and the person is no longer the original person. She is really a mental patient whose hysteria has gradually deteriorated.
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