Your figure hitting a stone with a pebble is very stalwart

Chasity 2022-01-17 08:03:45

I know very little about French history. The first time I heard about the "Dreyfus Incident" was when I was watching a documentary that revealed the mystery of Zola's death. In the film, the explorer mentioned that this great writer was criticized by the French people who had a high level of nationalism and anti-Semitism for publishing an article entitled "I Accuse" in the "Dawn". (In the article, Zola spoke out for Alfred Dreyfus, a Jewish officer who was wronged as a "traitor," and he accused the government, army, judicial system and the so-called fair and objective "scientific Investigation".) Zola caused misfortune because he stood on the opposite side of the public and power. He was sentenced to a huge fine and was forced to take refuge in the UK. Zola and his wife died of gas poisoning in Paris on September 29, 1902. According to the speculation in the documentary, it is likely that an extreme anti-Semitist blocked the vents of his home and carried out the murder. If this is the case, then the price of speaking up is too heavy!

"Historical suspicion: Was Zola murdered? 》

The second time I thought about the "Dreyfus incident" was when the French government proposed to increase the registration fee for higher education for non-EU students by more than 10 times in October 2018. In order to oppose this motion that violates the essence of mass education and the French spirit of "freedom, equality, and fraternity", I also participated in several protest marches. In fact, the demonstrators are not limited to non-EU students, they are more French natives. They believe that the government’s unreasonable policies always start with foreigners, and then slowly extend the target to the natives. In the end, all the disadvantaged will eventually be oppressed-therefore, it is necessary to say to all inequalities at the beginning No, even if it's just a faint sound, even if the flames of war can't burn yourself temporarily. Hearing these voices, I was deeply moved: as a disadvantaged foreigner, I can be supported by strangers who have not been affected. It feels like countless Zola is shouting out for those who can't speak out in indignation!

"Historical Suspicious Clouds: Secret Archives of the Dreyfus Incident"

In mid-November 19, "I Accuse" was released in France. When I saw the poster of the subway station, I was instantly attracted. In order to prevent the lack of historical knowledge from causing difficulty in viewing movies, I specifically looked for new French documentaries to watch.

In the documentary, the most special character in the incident, George Picard, immediately aroused my interest. The officer investigating the Dreyfus incident was originally responsible for the final blow to the so-called "traitor", but he discovered many doubts during the investigation. After pulling the cocoon, he finally found out the real traitor-Esterhazy. However, in order to maintain the "authority" and "dignity" of the army and to protect their own status from threats, the superiors rejected Picard's request to rectify Dreyfus's name. They sent him to North Africa to suppress the colonial uprising. On the battlefield, I look forward to getting rid of this trouble forever. To me, Picard knew he would endanger himself and chose the image of justice is very stalwart.

Polanski obviously also noticed the complexity of this character between the "good and evil" choices, and he launched the whole film narrative as the core of the latter. However, unlike the heroic Picard in my heart, the director portrays him as an ordinary person who sticks to his duties and beliefs-he has multiple aspects: serious workers, adulterers, anti-Semitism, he is like you I'm not perfect, but he also uses ordinary things like you and me to accomplish extraordinary things. At the end of the film, Dreyfus, who had returned to the army, restrained himself and said to the "heritor" Picard who reversed his case: "You just did your duty." Yes, people who have faith in that generation. In terms of loyalty to one's own beliefs is just the most basic ethics. Dreyfus did the same. Even after being held in isolation for four or five years and unable to communicate with anyone, he had no complaints against the country and the army after regaining his freedom. He even went to the frontline of World War I to fight for the country.

Today, when the grand narrative seems very suspicious, what should we-scattered and fragmented individuals-stick to? As a social person, what is the individual's community imagination? After thinking about it again and again, the extremely individualistic me is still affected by the "Dreyfus Incident" because individuals such as Zola and Picard defend the "insignificant" and small existence in the big history. I think that after being nurtured by the humanistic spirit for several years, I choose to stick to and defend like them. As Haruki Murakami said: "If there are strong high walls and broken eggs against the wall, I will always stand by the side of the eggs."

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Extended Reading
  • Oma 2022-03-27 09:01:18

    The atmosphere of the opening scene is very intimidating, the somber and solemn tone, the neat and precise composition, the smooth movement of the camera and the scheduling, the whole film maintains sophisticated audio-visual language skills, and still stabilizes the suspense under the premise of knowing the result early. Standard work. This event that shook French society (even Proust used it as a sign of the times in Remembrance) is almost a slice of current events in Europe, reproducing the long history of anti-Semitism in Europe (a few in the opening paragraphs). The officers talked about the eradication of the Jews as the eradication of the plague, and there is a historical fact that the origin of the plague was blamed on the Jews). Although Dreyfus is at the center of the storm, Dreyfus is on the edge of the narrative, so the viewer can look at the big picture from a more objective distance without deliberately substituting a role. "Aurora" shows the courage to face the truth with a series of "I accuse" comparisons. More than a hundred years ago, individuals, news media and literary creators who put their safety at risk have clearly maintained an independent attitude and a clear head, followed the How precious is the conscience of truth and justice, perhaps even more meaningful in comparison with today's reality.

  • Aryanna 2022-04-21 09:03:07

    The classical style comes from pre-modern non-subjectivity. In the first half of "I Complain", in the film about the Dreyfus incident, Dreyfus is just an object that appears in a telescope to be observed. In this way, "I Indict" isolates emotion and avoids the temptation of individual-institutional political narratives. It is difficult to determine whether Polanski was referring to public allegations of his social events, and if there were, it was an elegant and razor-sharp pushback. Therefore, "I Complain" does not lack strength and power, and it is not completely classical. The first half of the film and the second half are in a mirror-image relationship. Picard, who is the "detective" image, exits the stage, and Dreyfus himself appears, and gradually finds his own identity. The subjectivity of the modern subject.

An Officer and a Spy quotes

  • Picquart: I want to see the Dreyfuss file.

  • Picquart: Dreyfuss is innocent.