Why watch a movie? Only audio-visual enjoyment.
"Fright Bird" did it. The lighting is delicate and rich, and the music is enchanting. What do you want from your husband?
story? The inside of the suspense film and the outside of the thriller. Are the characters thin? not at all. Because the characters in the entire movie are fragmented. The images of Lucy and Lily Matsuda are presented in isolation. The image they show in front of the characters in the play is full of a dramatic original appearance. Lucy meets Matsuda and she meets Lily exactly what the story needs to unfold. Therefore, after removing the story and drama, the characters are fragmented. We should be soberly aware that it is not the characters themselves that constitute their character, but that the screenwriter and director deliberately constitute their character.
If you have to extract a center from the whole story, then the ending dialogue has already pointed out the essence of the whole story-don't be self-centered. The earth does not turn wrong without you. In other words, there is no need for people to have too much self-responsibility for their surroundings.
Now let’s talk about the light and shadow itself
The excellence of Earthquake Bird is outstanding in her outstanding creation of sound and light and deliberate intake. In fact, to be honest, Earthquake Bird is still quite satisfactory in mirroring. Far from being bold and pungent as the American New Wave.
The lighting of this play naturally made a great contribution. Sufficient diversity and cold foundation laid a solid foundation for the mood of the entire movie. The strong blue and red colors pave the way for the difference between the protagonist's overly self-centered consciousness and reality, paving the way for a rich emotional scene.
Does the protagonist's delirium come from the oppression in his childhood? Or the loneliness of being in a foreign country? Or is it an imbalance after a strong possessive desire is stimulated? These are not important. It means that the truth of the story itself is not important-it's just what the protagonist thinks, feels and reads, nothing more. Any attempt to explain the reality of the film and the self-reality of the protagonist will not improve the quality of the movie, which is equivalent to a waste of the producer's good intentions.
What really matters is the experience. It is an experience of light and shadow. The oppression and excitement of sound and light that we really enjoy from this movie is far better than the drama of the tangled script.
The sound and light of this film are inseparable from the natural scenery of the city. Thrilling sounds and terrifying melody are interspersed between the city and the mountains.
(Undercurrents and synthesizer beep) The image of the protagonist's spiritual alienation overflows the entire screen.
Lonely hills and waterfalls cemetery, noisy street market memorials and nightclubs. Women's love, hatred, and self-awareness... all merged into the violent turmoil covered by this coldness.
And this turbulent light and shadow is fascinating. Because it is terrible, because it is calm, because it is silent, because it roars more than just...All in all, it makes people's eyes wide open.
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