Real story adaptation of movies and the essence of the real world

Arne 2022-11-03 02:10:56

Techniques for adapting movies from real stories seen in this film:

1. Show the character and history of the character at the same time. For example, Anton and his daughter explain a scene of Guangweiwei, which not only knows the family situation, but also the character of the character.

2. Characterize the character and destiny of the character, and then write the action on the script, such as the "positive shit" story described by the old ink plumber, reflecting that he is a rich worker who sees the essence. The key to typification lies in the balance between a high degree of abstraction and authenticity. For example, chainsaw cutting towers and emergency room orders for insurance are all typified and unreal. Although through performances and single-stage plots/audiovisual, they are contagious, and the audience will not doubt or think.

3. Use the supporting role as a footnote to the thoughts of the characters. For example, the lemon bartender in the bar, such as the Amish people, these supporting roles do not have to be real, but appear as a teleprompter for the character's thoughts. This is a script tool for dealing with the thought changes of real characters in adapted films.

4. Grasp the inevitability of contingency. This is not film skills, but the thinking skills of the creators. To adapt real characters, it is necessary to grasp several logical rather than artistic nodes in the chronicle. This is more like journalists and biographers need proficient skills. Thorough understanding of the adaptation event. This seems to be a basic requirement, but many adaptations of the film have examples of confusion (whether it is typical or audiovisual art issues) due to the lack of grasp of the nature of the event, such as the book thief, the war horse, and "My Motherland and Me". "The Atomic Bomb."

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In the extended meaning of the film, it is an inspiration to the nature of the real world.

From the plot of religious confession of middle-aged people like the ending, we can see that what happened to the protagonist is very close to our ordinary lives. No matter what knowledge, wealth or money you have acquired, as long as you only think about yourself in your heart, it will inevitably harm someone’s interests. The best way to reconcile this matter is to have a unified morality and law, but regarding morality There are two proverbs about the law that speak in depth:

"The rules are dead, people are alive" (generally speaking, this is to do bad things, whether intentionally or not)

"Legal rules are also set by people" (generally speaking, this is a limitation)

Therefore, we can only see from the fate of the protagonist in the film, don't be obsessed, don't just care about a little thing.

Finally, in fact, the investment in the entire project is not as much as that of a corrupt official building in Guizhou Province. If our society can mature and shoot similar subjects, we can imagine that shaking the world will not be a problem.

However, the plot of this film basically did not hurt any grass or tree. Everyone was connected through contracts and promises. The only crime was that the FBI was dispatched during a high-level fight (still prosecuted through a lawyer), and competitors were digging walls ( During the quarrel, he also emphasized that he would pay liquidated damages).

Just like this year’s postgraduate entrance exam, one of the candidates’ typographical errors: "Strive for the realization of the ideals of American life for the broad masses of people."

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Extended Reading

The Hummingbird Project quotes

  • Vincent Zaleski: [quoting his father's words] Whatever you do, always make sure you own your freedom.

  • [first lines]

    Bryan Taylor: How long does it take to drive from Kansas to New York?

    Vincent Zaleski: Uh, two days.

    Bryan Taylor: You wanna do this in 16 milliseconds?

    Vincent Zaleski: Yeah, but round trip.

    Bryan Taylor: We're talking about a lot of money here, Vincent.