I often watch a movie when I am drowsy, and use the state after watching it (or not watching it) as my criterion for evaluating a movie. I remember watching "Casino Royale" a month ago. I saw Bender chasing after an African agent and fell asleep after chasing me. After waking up, he had been to Venice with a beautiful woman. And on another day I watched "Pulp Fiction". After reading it, I immediately seized the opportunity to review the evil "High Frequency Electronic Circuit" (thanks to Quentin for the high frequency).
Far away, in short, according to my standards, "Stealing a Kiss" is a movie that goes from sleepy to sleepy.
Truffaut once said: In movies like "Stealing a Kiss," the role takes precedence over the background, stage, and theme; the role is much more important than the organization, and more important than other factors in the movie, so everything depends on the actors. Certainly, more than ever, I feel the important role of a smart actor more strongly than ever before, and this importance is more obvious when an actor portrays a character.
So there is an interesting character named Antoine starring Jean-Pierre Rio (many directors make movie roles that are almost irrelevant to the actor, and Truffau is definitely an exception, so I have to name Leo), He is comfortable in life without being humble, in other words, his requirements for health care factors are very low (health care factors and motivational factors, like Herzberg's two-factor theory). This film describes his usual growing up experience when he was very young through a series of not-so-common life trivialities. In the film, Antoine called for prostitutes twice, from the first time he was shackled to the next time he was familiar with the road. growing up.
Regarding love, Truffaut's explanation is: love is worldly. Even in Paris. Antoine flees when he encounters the "Lily of the Valley"-style love, and when Christine faces the permanent and infinite "confession of love", what Christine said is "really a weird person through and through."
Gene Renoir said that “reality is often full of magic”, so Truffau described the work through details of life, and Lomo became more and more popular. . .
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