An originally very good subject, I was forced to shoot by the academics and turned into a pseudo-literary film about politics, military, emotion, psychology, and art that is popular with the vast majority of Bai Zuo and Silly Bai Tian. In the real history, the Israeli military and government’s judgment on the incident, the weighing of various options, the planning of rescue operations, especially the solutions to specific technical difficulties, including the coordination of the refueling problem of the aircraft back and forth with Kenya, the aircraft landing at Entebbe Airport at night Runway lighting problems and so on were all passed by, and the attack rescue process was very perfunctory. And the dance scene that repeatedly interrupts the progress of the film is like the director raping the audience's independent thinking while screaming profusely: "I am not artistic? I am not awesome?"
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