It is a very different martial arts film. One of the differences is in the plot. The story completely returns to the simple way of drawing a knife to help each other, only for the kindness of people's hearts, and then achieve a heroic career. The second difference is in Wuzhi. Yuan Heping once served as the Wuzhi for Xu Ke Huang Feihong's most outstanding work "A Man Should Be Self-reliant". The two fierce battles between Huang Feihong and Nalan Yuanshu have reached their peaks. The martial arts, which is common in martial arts novels, such as shubucheng stick, is really shown by the lens in "A Man Should Be Self-improvement", and it is vividly interpreted. To be fair, in "The Iron Monkey", the action design does not surpass "a man as self-improvement", but each has its own merits. The difference in its kung fu is that it has a background of the age of the family and the country in comparison with "Men should be self-improvement". Therefore, kung fu has poured into more sadness caused by the involuntary characters. The kung fu of "Iron Monkey" is very pure. It means that good people beat bad guys, and good people beat bad guys. Therefore, the pure display of skills in Kung Fu is stronger and more enjoyable. The plot of the film is very simple: in the last years of the Qing Dynasty, officials were corrupt, and the people didn't have a livelihood. In Zhejiang, there was a masked warrior "Iron Monkey" who appeared every night for two years, robbing the rich and helping the poor, causing the prefects who sold officials to complain. No one would have thought that Iron Monkey is actually Yang Tianchun, a well-known local doctor. Doctor Yang is so kind and loving that he is loved by his neighbors. During the day, he was gentle, healed and saved people, and at night, he turned into a man in black, acting as a chivalrous man. In order to catch the iron monkey, the prefect did not hesitate to torture many unrelated people. One day, Huang Qiying's leader, Huang Feihong, went north, and saw the thief on the road. Huang Qiying tried to teach the thief and showed her good work. The government took Huang Feihong as a hostage to force Huang Qiying to help capture the thief in the name of killing the people. The Iron Monkey broke into the court to rescue the scarred little Huang Feihong. Bring them into your own medical clinic for treatment and accept them as disciples. Soon after the imperial court arrived in Zhejiang, Yang Tianchun met him when he became an iron monkey again, and was injured by his powerful vajra palm. It turns out that the true identity of this imperial servant is Yankong, a Shaolin traitor. As a Shaolin disciple, Huang Qiying teamed up with Iron Monkey to clear the door for Shaolin. The actor of Huang Qiying in the film is Donnie Yen. He is a kung fu actor who is more difficult than Jet Li. Although the kung fu he showed in this film is not as realistic as when playing Nalan Yuanshu. But the end of the film and Yankong have a plum blossom pile battle, it is by no means a coincidence. In addition, it is very similar to "A Man Should Be Self-improvement". Although the character of the villain in the film, Yankong, is not as embarrassing as Nalan Yuanshu's personality, he is a big villain. But to be fair, his kung fu surpassed Yang Tianchun and Huang Qiying to become the most eye-catching master in the film. The last battle of the film is truly unforgettable. This phenomenon often occurs in Hong Kong martial arts films. Don't avoid the superiority of the opposite character. After all, Yang Tianchun and Huang Qiying and Huang Feihong can only win against him. In terms of kung fu, it is hard to say that the victory lies in righteousness and character. The so-called chivalrous man is mainly reflected in the spirit, and superiority is not the most important thing. It is worth mentioning that the heroine in the film, the assistant of Yang Tianchun Medical Center, and his eldest disciple, is very eye-catching in this sturdy film. There is no other reason, it is very pure and very beautiful. The actor, Wang Jingying, had made tertiary films in her early years. He also played the fourteenth aunt in the Huang Feihong series. Lin Yilian sang the theme song for the film, "It's Love but Not Feeling", which is euphemistic and lingering. In an instant, I knew that "The Iron Monkey" was kung fu and chivalrous on the surface, but in its bones it was full of children's love. This is the third difference.
Liu Suifeng lays flowers and wanders Hua Tuo is difficult to heal the world
One face is cut, the gods and Buddhas gather in front of the gate, and the face is cut two. Natural disasters never show three faces. Guotaimin Ansai gods
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