First of all, I gave the movie’s music a full score of 5, especially the two songs raani sa and Binte Dil.
Secondly, everyone should briefly understand the opposition between Islam and Hinduism in Indian history. The Sadie system is cruel and backward, but it has another meaning in this movie.
It is equivalent to the Indian version of Troy, whose historical authenticity has yet to be verified, so film reviews are only related to movies.
The second male Aladdin’s affection for the heroine was due to the plundering of beautiful objects. He had never seen the queen, but a flash of instigation and misty figure decided to seize the heroine. As he did in the past, in addition to the wealth and treasures of a city, beautiful women must also collect all of them. There is no dignity at all. The hostess will never love him, never let him get it, and even the so-called lying salary will try to get revenge. I don't know how to do it, so I only die. Before the international law came out, the biggest victims of every war were women. Even in World War II, the situation of women was the same, but some people would say, "If you are not afraid of death, you are still afraid to live?" "Women can also resist. One kills the other." "This is preaching to beautify the burial", there is no need to communicate, just don't watch it. Will you learn from the people in gunfight movies? What went wrong was not a problem with the movie, but a problem with the people watching. And it also involves the other party’s religion. The backward era + the product derived from religion. The simple truth is that there is no need to communicate. You just don’t look at it, because the righteous people will eventually vomit blood and criticize it. , Why bother, in fact, there is no problem with the movie, you are stunned.
On the contrary, I think the women inside are very noble. After the male lead was imprisoned by Aladdin, Aladdin asked the female lead to change. The first queen of the male lead felt that the female lead could be exchanged for the security of the king and the country. This is a very feasible operation. (Is this scene very familiar?), but other women in the palace are firmly opposed to it. If they are really so desperate to trade the heroine like goods, they would rather die as a person (at this time what king country has retreated to the second line, they think It is oneself, to preserve one's dignity, although this dignity seems to be cowardly and criticized by some people in modern times). Before Aladdin's departure, his queen (also the looted woman) calmly gave him a blessing, "May all your dreams come true, but your dream of getting Padmavati will never come true". In the end the heroine stepped into the sea of fire, it was all female self-resistance, but this kind of resistance was accompanied by cruel and backward Satire system. Many Indian films must sometimes show the backward and barbaric side, because this is history that cannot be changed. But what I want to express is actually a modern point of view.
The emotional drama between Aladdin and the manservant is also beautiful, more interesting than the interaction between the male and female masters. It is impossible for the Indian environment to shoot the feelings of the two men so intensely, even if there is a man in the history of the manservant. But the director can express these subtle feelings through dance, singing, language, and eyes, and the effect is still very good.
Aladdin "We are approaching Padmawati"
The footman who served him "Like a beauty in Egypt, there is also a beautiful body here, and her heart is only beating for you." After speaking, he sang, and Aladdin danced, but the next scene switched to For the woman who is going to sleep in, does the footman sing about herself or that woman? The director's vague setting is particularly charming.
The footman was given as a gift to Aladdin "What can you do for me?"
"Anything, I can give my life for you"
"Can you kill for me?"
"Yes, Your Majesty"
Even the ministers around the protagonist knew that he was a favorite of Aladdin. "People even call him his spouse." This kind of expression came out of him. I just want to praise the director.
But this kind of love... "The stars in the sky all want to be the moon, but they can't."
"It's like I'm so close to you, but I can never replace Padmawati."
After the hostess was released privately by Aladdin’s queen, Aladdin’s dream was shattered. He asked the male servant in a very low manner, "Is there a line of love in my palm? Can you write it for me?" The male servant empathized with him. Jealous, but more of the same joy and sorrow as Aladdin, so in the last one-on-one contest between Aladdin and the male protagonist, he did not hesitate to figure out the male protagonist, and the people around him stopped him from saying that it was against the rules. Said that for the victory of the Sultan, everything is worth it.
The director used a lot of puns in the movie, especially dealing with this line. Although this line is a side line, it runs through and is very complete. The only person in the movie who really loves Aladdin 2333
Of course, there are many defects in Indian films. Some plots cannot withstand scrutiny or have an awkward performance when they are serious. This is another matter.
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