Pamela Tiffin's Yan Jiangcheng sucked me in slightly. In black and white movies, I couldn't tell whether she was wearing a black coat or other dark colors, or crimson, but I don't think it's dark brown. In the movie, she is a passionate 17-year-old girl named Scarlett. She seems to have the best things in the world, and she doesn't know her identity as the rich second generation of capitalism. She is busy getting engaged with the person she loves, getting engaged and breaking up, and falling in love again, regardless of whether the other party is a socialist young man or the tension in Berlin under the background of the Cold War. What impressed me the most was the small suit with flowers and dark patterns she wore. The inside was a long dress with a vest, and the outside was a small coat. It didn't look like a waistcoat. Her hair was tied into a full bun, and her neck looked like floating water. Swan. She is infiltrated with the tenderness of women but at the same time retains the frizz of a girl. When she speaks, she keeps her head high and she is so beautiful and dazzling that she never seems to make a mistake.
So the beauty of girls is really a godsend.
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