Section 1: Introduction to the work and director-Venice Golden Lion, Visconti
Paragraph 2: The position of the film in film history-the end of Italian neo-realism.
Paragraph 3: The theme of the film-the theme of peasant workers entering the city, how to resettle people in modernization, and the theme of collapse
Paragraph 4: Further interpretation of the theme-family breakdown
Paragraph 5: The author's favorite paragraph-a family from the countryside enters the city and the subsequent conflict
Paragraph 6: Connecting the previous and the next-basement life
Section 7: The most exciting scene in the film-snowing = work
Section 8: Director's introduction-status, background, beliefs, activities, consistent theme of the work (focus on the bottom)
Section 9: The director's purpose for filming this film-paying attention to the foundation of modernization and reconstruction
Sections 10, 11, and 12: Director's introduction-background (genius), step into the movie circle
Paragraph 13: The linkage between the world's three major film movements-France-Italy-France
Paragraph 14: The director's emotions are reflected in the film-the suppressed homosexuality
Section 15: Film narrative structure-novel narrative
Paragraph 16: Outstanding Features of the Film—Modernization Process (Theme)
Sections 17, 18, 19, 20: Analysis of the characters in the film-the first protagonist Locke (character and actor), motivation (protecting the traditional family), the second protagonist Simon (strong desire, easy to be tempted, embodiment of the theme of "collapse" )
Sections 21 and 22: Film character analysis-other family members (boss (unwilling to bear family responsibilities), fourth (positive energy, not Virgin))
Paragraph 23: Character Analysis Summary-Variations on Family Stories
Paragraph 24: Film Highlights/Innovations-Inner Realism
Paragraph 25: Analysis of Film Visual Language-Taking the most brutal scene (rape scene) in the film as an example
Paragraph 26: Succeeding-further analysis of the long shots in this paragraph
Paragraphs 27 and 28: Analysis of female characters-Nadia/non-professional prostitutes, emotions and functions
Paragraph 29: Interview with Director-South/Moral Reconstruction
Paragraphs 30, 31, 32-sound analysis (use of voice-over, taking Locke’s triumphant banquet as an example)
Paragraphs 33 and 34: Analysis of the end of the film-Hometown/Wandering, the director's monologue is similar to Locke's tragedy
Section 35: Fanwai gossip-memoirs of the starring role (director’s homosexuality)
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