This theatrical version, as the theater version after the Dragon Ball rebroadcast, is actually a bit dissatisfied with it. Toei has not given enough resources at all. It is obviously a major event by the president of Shueisha, and this level is only different year after year. The z theater where I met the kids in the summer vacation is similar, and the strongest way of the gt theater version is much more delicate than the worse. The most important thing is that Bulma’s purple hair was not made in Gods and Gods. Obviously, the strongest Bulma has purple hair, but the blue hair of TV is still used here, and the color is assigned to the bad review.
The predicted new technology is not bad, at least better than the resurrected f that does not cause damage to the scene. There are 3D scene damage, and the three-rendering two-stage is not too flawed. The most satisfying battle is on the king of the world, using the world. The size of the king star and the use of scenes are very different. This small planet is contrary to the imagination of ordinary people. As a starter, it also echoes the battle of Wukong than Russian Earth. The little Wukong can also fight with the big one. God contends, oh model roy
Dragon Ball’s theme has always been the relationship between the country folk and the city people. Goku was a baby in the mountains, so he kept on going outside and defeated Sharu, the first real estate developer in the universe. Bad boy Buu. Now Birus and Monkey King are both country folks. Birus has never seen pudding, Wukong has never seen the universe, one is too high to see small things, and one is too closed to see big things. The two were able to reconcile because they achieved the goal. Birus saw the small and Wukong saw the big, but the contradiction was very small, and the fight between the countryman and the countryman was still unknown. Therefore, the two can not fight at all. The reason is only The waywardness of the two people, the wayward God and the God, is just a child's quarrel, but the grand title writes small things, and the structure is very narrow. Toriyama was still that countryman, but he never yearned for the city anymore.
The recommended version is the public release version, because the public release version is quite verbose, and the director’s cut version will have to add 20 minutes. There is a faster animation time but there is not so much information to supplement, and the editing level has not risen, so it looks more compact. The release version is obviously better, not to mention the last manga part that made fans climax the most, and the edited version is still lacking.
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