The symmetrical aesthetics of Anderson's films is not only reflected in the composition, but also in the tone and structure of the play. For example, this yellow bathrobe is replaced from the male lead to the female lead, and the coat is the same. From the bed sheets to the lights to the walls, the yellow tone is used as the background. There are also a series of actions for going to bed, symmetrical and at the same time transition to the character's psychology and emotions, where one side is broken and the other side is stitched together, all in one go. When it comes to the symmetry of structure and scheduling, French director Garrell's "A Day Lover" is even better.
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