The director hypnotizes the audience through various dramatic effects and film art techniques, activating their various desires hidden in the subconscious, and providing the audience with daydreaming space and opportunities in the dark theater.
In this daydream, apart from the subconscious archetype that the audience is usually suppressed, it is definitely mixed with the desires of the director's self.
Every movie, or it can be said that every art, literary work has a profound personal nature.
It can be said that all texts are actually discussing the same subject: the issue of the author who created it.
All, we can clearly find the clues of the author himself in each text.
For example, the author who created Wonder Woman is actually a man, William Morton Marston, a professor of psychology at Harvard.
His original intention to create the super comic hero Wonder Woman was to promote his psychological research-DISC theory, a psychological theory that studies normal human behavior patterns.
The four letters of DISC, Dominance, Influence, Steady, and Compliance respectively represent the four modes of human behavior.
Influenced by erotic literary magazines, he began to promote this theory in the form of comics.
Therefore, the original Wonder Woman comics had a lot of erotic factors such as bondage, whipping, and ambiguousness.
This is different from the active and healthy image of Wonder Woman played by Gal Gadot that we have seen recently.
The rope of truth in Wonder Woman's hands comes from BDSM, a human behavior that stimulates desires by binding the body, and at the same time governs and obeys the relationship.
And the horrifying and stable love triangle between Professor William Morton Marston and his original wife, university female students, provided him with a steady stream of prototype texts for his creation of Wonder Woman.
Don't doubt that the famous cartoon character, the Wonder Woman deity second only to Superman actually comes from two women in real life.
A recent movie about this story, "Professor Marston and Wonder Woman," released cooked meat.
The film can be described as a WTF in 20 minutes. After watching it, your wrong three views have been repaired. Whoever says that a threesome of "one man and two women" has no true love, that is called stability.
Who says that a husband and wife cannot be involved in a woman, and this woman loves both, he loves her and her, they love each other, she and she also love him and him at the same time.
The evolution of the complex relationship between the three perfectly confirmed DISC.
Elizabeth is Marston's childhood sweetheart and original wife. They concluded their marriage proposal while discussing Jung's psychological theory.
Elizabeth is smart, proactive, and possessive.
Olive is a student and teaching assistant of Marston. She is kind and smart, and fell in love with the Marstons while working with the Marstons.
At the beginning of the relationship between the three, Marston and Elizabeth occupied a dominant position, and Olive was always in obedience.
Under Elizabeth's persuasion and Olive's influence, the three formally formed a shocking three-person family model. The triangular stable structure prevents each of them from leaving any other person. The three love each other deeply.
At the end, the relationship between the three of them changed. Through influence and persuasion, Olive slowly became the dominant party. The scene where the Marstons kneel and ask for forgiveness is the best proof of the change in the relationship.
"Professor Marston and Wonder Woman" has done a very good job at the script level, and has been seeking the layering of the text and the possibility of multi-faceted interpretation.
The film uses a two-line narrative.
One is that Professor
Marston was censored by the Children’s Cultural Conservation Association because of the large number of erotic scenes in Wonder Woman comics; the other is a reminiscence narrative during the review by Professor Marston, which tells the story of the past. The journey and various experiences of the relationship between the three people.
The censor played a functional role in advancing the plot. By constantly asking questions, she let the audience see the profound relationship between the comics Wonder Woman and Professor Marston and the two lovers and the two texts.
Wonder Woman’s bullet-reflecting bracelet is a jewelry that Oliver often wears;
The character of Wonder Woman is obviously with Elizabeth's tough side. The naked feminist thought comes from Olive's family background;
and Wonder Woman's Amazon identity and costume are after a weird costume show. Yi Hulu painted a scoop after being stunned by Olive in the erotic costume.
Regarding the setting of Wonder Woman's identity, Paradise Island, the entire island is a manifestation of values such as women, and it also comes from feminist thought and his psychological theories.
He believes that women are more persuasive than men, so the development of the world, peace and other things should be controlled by women. On the contrary, aggressive men will only lead to war and destruction.
The appearance and character of Wonder Woman clearly come from two lovers, and it is about their projection on Marston's subconscious mind. Not only for feminist rights, but also for psychological reasons.
Wonder Woman’s most famous weapon, the rope of truth comes from that fun show about binding. At the same time, the three jointly developed a polygraph.
In the film, the polygraph appeared many times, dissecting the true thoughts of the three people but telling the truth about love, leading to a stable relationship between the three.
In addition, it also presents the film metaphorically in terms of psychology and sociology.
Psychology is a kind of science that studies the real thoughts of human beings. Sometimes human beings don’t know where a thought comes from, or deliberately conceal and hide it, but the emergence of polygraphs makes people’s true thoughts nowhere to hide.
Speaking of the true inner thoughts gives the society the possibility of insight into reality.
Expanding to a larger place, the relationship between the three has been affecting their lives. They were dismissed and forced to move. Especially after they had children, the relationship between the three could not be made public and could only be maintained in their own homes.
When the three of them were playing a game of love at home, they were bumped into by outsiders. This caused their relationship to be criticized and scolded from the neighborhood, and finally affected the lives of their children, and the relationship between the three came to an end temporarily.
Their home and society are the natural separation between reality and dreams. Only at home can their relationship be maintained. They believe this is true, but the society outside the home tells them that this kind of relationship that they think is true love is impossible. , And should be cast aside.
Wonder Woman lives on Paradise Island. The closed island where only women exist is undoubtedly a kind of emotional projection of their family. Marston hopes that there will also be a Paradise Island in the comics in society, so that the love of the three of them will be gained. Agree, no one disturbs.
The cleverness of "Professor Marston and Wonder Woman" is the constant intertextual influence between comics and real texts.
Various psychological projections, dislocations, and substitutions are constantly being staged, enriching the story's level and the characters' hearts through various psychological interpretations.
Undoubtedly, the real-life relationship of the three people alone is enough to arouse the audience's gossip and curiosity.
"Professor Marston and Wonder Woman" uses the research of DISC psychology as the narrative backbone and the division of natural chapters.
BDSM is the intertextuality between the birth of Wonder Woman and real life,
which also contains the portrayal of the real life of LGBT characters. , The
three texts are horns to each other, and on the surface are the structure of comics, psychology and reality stories,
and inside are the three-layer themes of gender relations, subconsciousness and behavior, fiction and reality, layer by layer.
In the middle of these three pairs, there is a wedge that cannot be avoided, called: the psychology of debunking lies!
In "Professor Marston and Wonder Woman", the audience can safely immerse themselves in deep unconsciousness and desires, such as love and sex, without risking embarrassment, and a generally satisfactory ending is guaranteed.
The audience will not realize that the film is subtly manipulating (inducing) and influencing (obeying) them by activating their original fears, childhood anxiety, unconscious issues and suppressed desires.
The entire movie is acting as a dominator instead of the author, causing various communication effects to the audience, and may also affect their behavior.
The two heroines also brought some topics to this film.
The hostess Rebecca Hall played with the charming Penelope Cruz Javier Baden in Woody Allen's "Midnight Barcelona", and Scarlett Johansson staged the "Threesome" Weights.
The other heroine, Bella Heathcote, starred in "Fifty Shades of Darkness."
Therefore, there are movie fans who abuse "Professor Marston and Wonder Woman" is a 50-degree black version of Wonder Woman.
"Professor Marston and Wonder Woman" looks small and can be used as a behavioral exploration to interpret the relationship between the sexes and the same-sex relationship.
Looking at the big picture, it can be seen as human beings’ self-identification, and the changes in the relationship between people caused by this identity in the state of socialization.
It is still to explore what a person is and what is love. These definitions may be changed due to some scientific research.
I believe the ambition of this film is to raise bold questions about the identity of minority groups, the principle of family grouping, and even marriage, and to seek change in a persuasive way.
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