A piece of red cloth

Edyth 2022-01-11 08:02:49

Documentary films are too difficult to write.

Telling stories in chronological order. During the virtual flashback, there are three scenes. One is the witnessing old lady on the balcony describing to his father how Charlie was captured that afternoon. The second is that Charlie's friends recalled what she saw and heard that day when she and Charlie were together, including the clue that she met the navy colonel. The third is the person who worked for the government described what he had heard about Charlie being interrogated by a CIA official.

I am personally tired of seeing movies that speak about democracy or politics. If it comes to democracy and faith, then this movie will explain to you what is happening in America, which is famous for democracy and religion.

The script itself really made me very tired. I just want to express the completeness of where my tiredness comes from. I will end the analysis of this story hastily, because I realize that I am dealing with errands every time I write a word, so I don’t want to. To do it.

Power is great, and I have no doubt about the world's pessimism. No matter whether I came into contact with the occupations related to the political power or not, I just kept on demonstrating when I came into contact. I even saw some indifference and sleepiness in the second half. The clearest segment I remember from beginning to end is that after Charlie’s father and daughter-in-law learned the truth about Charlie’s execution for “knowing too much,” the US embassy officials said I said to him before closing the door: I may not understand what happened to your son, but I understand that if he comes to a place, he keeps spying on some dangerous places, and he does not belong to them, such as me Now when I go to New York, I am full of interest in the Mafia. One day I died on the bank of the river. My parents accused others of not protecting me. No one would take care of me, because I asked for it.

I deeply regret but I really think so. I don’t know what makes me have no sympathy for this. It’s probably because Charlie uttered too many times when he shouldn’t. In a strange restaurant, it’s like a stranger giving out his personal information, in front of passers-by. Open the notebook while talking...

These actions gave me the contempt that his father was sitting in the car, seeing a soldier shooting at someone in his ear, but still knocking on the car window out of anger is no different-maybe they are "seeking death" himself.

Finally, two intentions should be mentioned: a horse running on the road, a child throwing a can at people. I don't understand, but it seems to be related to freedom. The film can be shot for 2 hours without people turning it off to do other things, completely because of its control of the character’s thoughts. To put it ugly, it is holding the nose of the deceased’s father in circles and the audience’s nose. Walking. I even thought that Charlie was really alive many times.

I like the "American sense" it creates in a foreign country. I have a strong sense of substitution. Ford, Coca-Cola, my daughter-in-law and father-in-law chat and even talk about husband and wife sex.

What is helpless is that there is no rhythm at all. It is a movie that goes all the way downhill. With the last scene of the smelly corpse being placed in a simple coffin like a courier box and being sent home slowly, the subtitles are more desperate than the picture-the dead The father's complaint against the inaction official was dismissed.

No one belongs to the world. There is no freedom and equality. You just need to live well and experience the lowest level of freedom, such as eating with friends, drawing with your lover, sharing novels written by yourself, making your own cartoons, and protecting them. , Do what you can.

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Extended Reading
  • Charlotte 2022-03-26 09:01:10

    1982 35th Cannes Palme d'Or

  • Florencio 2022-03-27 09:01:15

    A coup in South America is like menstruation

Missing quotes

  • U.S. Ambassador: We're not involved, Mr Horman. Our position has been completely neutral.

    Ed Horman: That is a bald face lie, sir. How can you say a thing like that when you have army colonels, you have naval engineers, they're all over Viña Del Mar!

    U.S. Ambassador: Please sit down. Look, it's very obvious you're harbouring some misconception regarding our role here.

    Ed Horman: What is your role here? Besides inducing a regime that murders thousands of human beings?

    U.S. Ambassador: Let's level with each other, sir. If you hadn't been personally involved in this unfortunate incident, you'd be sitting at home complacent and more or less oblivious to all of this. This mission is pledged to protect American interests, our interests.

    Ed Horman: Well, they're not mine.

    U.S. Ambassador: There are over three thousand US firms doing business down here. And those are American interests. In other words, your interests. I am concerned with the preservation of a way of life.

    Capt. Ray Tower, USN: And a damned good one.

    Ed Horman: [Staring out the window] Maybe that's why there's nobody out there.

    U.S. Ambassador: You can't have it both ways.

  • Capt. Ray Tower, USN: I don't know what happened to your kid, Ed. But I understand he was a bit of a snoop. Poked his nose around in a lot of dangerous places where he didn't really belong. Now, suppose I went up to your town, New York, and I started messing around with the Mafia. I wind up dead in the East River. And my wife or my father complains to the police because they didn't protect me. They really wouldn't have much of a case, would they? You play with fire, you get burned.