A good man
7 points (6.5 basic points + 0.5 emotional points)
The first movie to be watched in the true sense was in kindergarten. It was taken to the cinema by adults.
At that time, I didn’t know what the movie was. I thought the things that were shot on the screen were real. In fact, it was actually shot. Jackie Chan was really desperate. When I was ignorant, I was most impressed by the last giant car. The scenes of smashing scenes, especially on the big screen, presented the kind of on-spot effects that were very shocking at that time.
The overall look of the film is actually very tight. There are not only a lot of action scenes in one go, but also a lot of wonderful scenes. Action design. I personally think that the highlight is the play in the late construction site building.
Very humorous and shocking. Almost all the scene props in the construction site were used by Jackie Chan and the stuntmen. The various extreme action designs and the comical martial arts process greatly enhanced the appreciation of Jackie Chan and the crowd. The actors' real thrilling performances are very, very good in this scene
In addition, Sammo Hung and Zhou Huajian’s self-hacking strings have also successfully added jokes to the movie in the scenes where the roles are tense.
The shortcomings of this movie are also very obvious. In the early stage of the movie, it is obvious that the action of the editing process is completed. It is easy to see that the same scene and the same action are shot multiple times and then a large amount of material is used to edit the completion. This is also the same as the action design. Complexity requires actors to be involved in NG many times
The other is character design. Except Jackie Chan, Mr. NiceGuy, who has an undead protagonist's halo, almost all characters have been mentally retarded. The local police have low efficiency and tracking skills. The other three female characters are also completely reduced to typical vase decorations. Among them, the only female character who originally held an important clue to the development of the plot, the character development can only serve to satisfy the film type and only play a role in making other female characters jealous.
Other logically incorrect settings can of course only be attributed to the film’s function of entertainment greater than emotional expression.
Finally, I really sigh that there is no second Jackie Chan in the film industry. Even though Tony Jia, who is in the limelight, was once praised by the media as the "successor of Jackie Chan" by virtue of his boxing tyrant Tom Yum, but the works that came out in recent years have been far away from his usual. The style did not balance commercial and performance like Jackie Chan did during his golden age and built his own action movie system (maybe the next "Triple Threats" can be expected?)
Jackie Chan himself is now as old as he said in the "British Showdown" publicity interview. His future goal may be to challenge some performances that require more inner expressions of characters instead of pure martial arts movies belong to Jackie Chan. The era of action movies is slowly disappearing
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