Thinking that a girlfriend is a scheming bitch, and taking the opportunity to take the lead, it is the man who repeatedly loses balance on the balance of emotion and morality. I thought it was a murder, but nothing happened. The heroine's soul or revenge did not appear. The point is not here. It seems that I am thinking superficially. What impressed me the most was that the men in the city were starving for stunners, and no one concealed their desires anymore. This scene appeared on the girlfriend at the same time, but fortunately, the situation was not serious. Director Guan Zhi’s arrangement for the role of the male lead is meaningful in these two aspects.
Scorsese compares it with Hitchcock's Horror, which is probably a topic that will be nutritious after chewing for a long time. . . . . The soundtrack and scene scheduling are superb. Compared with Fellini's eight and a half parts, it is like yin and yang are killing each other. . . . Alienation, projection, contradiction, full of enlightenment
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