This film is the experience in the title for me.
More than ten years ago, every song in it has been so familiar to me, but the film has been dragged out.
I watched this film until today.
At the beginning, the beautiful homeland was captured by bad guys, and when the only old captain escaped in a thrilling ancestral yellow submarine, the theme song sounded——in the town where I was born, lived a man, who sailed to sea.. .Gosh. . . It turned out that the "person" was the old captain. . . This song is not the joyful scene I originally felt, but the beginning of such a tragedy (although it is not too sad)
When the four of them met the knowledge doctor of the blank world, it turned out that he was the nowhere man! I suddenly realized that as a house, I was sympathized by people 40 or 50 years ago. That feeling is really mixed. I want to say that this form has become normalized in modern times, so you won't feel so sorry for us. . . No, well, it's still a bit pitiful.
When every song comes out, it deserves applause and cheers.
Glove will eventually become love, no will eventually become know, and the broken hands will be held together again. Bad guys will also be influenced by love and art.
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BTW, quartet, trio, duet, solo, the performers who insisted on pepperland persisted to the end. Here, Eiichiro Oda used it as the plot of Brook in One Piece.
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It would be great if the bad guys in reality are so afraid of beautiful music and art.
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