There is nothing special in the plot arrangement, and the emotional line is well-regulated, but what is shocking is the director’s skills, as well as the interpretation of Anna and her mother, which interprets miracles without traces, does not inculcate religion and belief, but shows humanity everywhere. Brilliance, so in the end I was thinking about what kind of film it is.
From the point of view of the film, it is worth reflecting on that in China, there are countless such plots happening in reality every day, but our directors and screenwriters cannot find such themes, let alone interpret such nuances. Every detail of the whole film is always warm from beginning to end. The doctors who silently help the mother and daughter, the front desk lady, the black eldest sister, the airport security guard, and Anna’s sisters and sisters, are omnipresent with enthusiasm and care. It is what the director wants to convey to the audience.
The impressions of European and American countries that we have received since childhood are constantly being changed by such films. In the end, we will find that civilization, love, sincerity..., these really have nothing to do with economic development and ideology. Even the faith emphasized in the film from the beginning has been downplayed by family, friendship, and love at the end of the film. Of course, it is undeniable that this is a film about faith.
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