The style is more documentary, there is no distinctive personal heroism, no sensationalism, and even the tenderness has been blown to pieces in the successive terrorist attacks. The director probably wanted to depict a real Iraqi scene and the contradictions on the battlefield. So this is not a popcorn-style cool film. It didn't even allow the male protagonist played by the beautiful Nizi to complete a complete personal growth. In the end, he could only leave the scene with regret. Although there is no intensive story about how a soldier completes self-sublimation with the male protagonist as the center, as the plot progresses, he gradually sees the transformation of the male protagonist, from a coward who needs to squeeze his hands in the car door in order to escape the battlefield to actively demanding and wanting to continue. Staying to complete the mission [although not achieved], I saw a young soldier becoming mature and brave in the war. This may be a real war. Your comrades in arms are on the street at any time, contradictions are everywhere, and ideals are always obstructed. In the end, you can only obey orders and feel that your own power cannot change the war. Only you can change. Finally, I want to be a nymphomaniac. Nizi has been sparing no effort to spoil his image over the years, trying to make everyone forget their beauty and pay attention to acting. This time is no exception. The face of the whole movie is basically not clean. . . However, the sands and rocks of Iraq and the high temperature of more than 40 degrees still can't destroy Nizi's stunning beauty like an oasis in the desert. Half of the screen’s long legs, a flushing face under the sun, fan-like eyelashes, and eyes as deep as the blue sea. They look very beautiful in a piece of yellow sand, and the weather is hot. I really want to swim in his eyes ٩(* ´◒`*)۶
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