I have to say that the themes of the Indian films that have appeared one after another in recent years are still relatively deep. For example, when corruption has been deeply rooted in the work of the government and the lives of the people, how can justice stand? I have to say that the Indian director is bold (exaggerated), tearing the enemy is the lowest-key side. Violence breeds fear, and fear makes people cautious. At the beginning of the article, I started to feature features. The terrorists who called themselves "Gabbar" appeared. First they kidnapped 10 corrupt tax officials and lost nine. Then they used audio CDs to spread the next action plan to the affairs department, and then hanged a corrupt tax official. , Slowly permeating fear into all government departments and industries in India, and then a large number of corrupt officials ran to the police station with money bags and surrendered, high! Abdul-Jabbar had nothing to teach "boxing physics", singing, teasing the girl, too stubborn to puncture the girl's "lie" face to face, swayed to the hospital, the girl saw a bruise to pay the price of a brand-name bag, and went to line up together After paying the bill, a father holding Barbie’s daughter settled the expenses, he was told that his wife had passed away last night, and because the expenses had not been settled, he did not inform. In this way, a husband and daughter lost the last chance to meet their relatives. If you say that the Indian director has opened up, exaggerating the corruption to such an inhuman point! Jabbar estimated that he did not know that the medical industry was corrupted to such a degree before, so this time "using evil to control evil" was very exciting, and it also pushed the doctor-patient relationship to a climax, leading to the ultimate boss and the past of gabbar. The best time in life is to find a partner and wait for the crystallization of love to be born; the most heartbreaking is the sudden death of a wife and a child in a laugh (the exaggeration of the tofu project is definitely far more than the Wenchuan earthquake). After the resurrection, the male protagonist hid as a teacher in the national university, and cultivated batch after batch of new generation forces. Years later, an anti-corruption secret line civil organization (AFC) was established, and Gabbar was born. The positive and the negative complement each other. You have Zhang Liangji, and I have a wall ladder. Gabbar used violence to create panic among corrupt bureaucrats. There was no way for the boss to squeeze money, so he brutally killed incorrupt officials in public and restored his corrupt green channel by "terrorist methods". Dictatorship, the same way, different feelings, who do the police choose? Whoever the people choose, the final battle is coming. I admire the Indian director’s non-selling feelings and concentration on narrative, so this film has a very large capacity: chaebols use money to protect their power, stubborn lives, and heinous; the male protagonist enters a nightmare from happiness, is killed on the road to justice, and is lucky to survive. New anti-corruption forces are cultivated in the school; the little policeman, who can only act as a driver because he did not pay bribes, investigates the case alone, but is humiliated time and time again by the boss who is full of brains and inaction on the top of the high power tower, and is eventually humiliated by Gabbar. Justice "surrendered" and even gave Gabbar the green light; lawyer girlfriend (not to mention, this line is quite embarrassing, she does not seem to represent a type, but exists for existence, not as good as the wife of a police executive who only appeared in the picture The effect of comforting my son once is remarkable.) Almost every character's image is three-dimensional and full. The method Gabbar adopted in the early stage is above the national law because of the corruption and inaction of the officials of the whole country. The legal system lacks guardians and enforcers. As students, young people and even the people of the whole country, everyone has the consciousness to become " Gabbar", the male protagonist chose to surrender and return his authority to the "law". In other words, the film is a compromise for trial, so in the end, this is a bold and hearty anti-corruption campaign by the screenwriter and director.
View more about Gabbar is Back reviews
