Italian and Spanish movies always have a chatty feeling. A monotonous scene, a group of people chattering endlessly, one after another, in the endless words that seemed to be spiritual, set out one after another ridiculous and true story, which made people shocked and smiled. The plot of the movie itself is based on an absurd scenario: a plane that was originally going to fly to Mexico, encounters a breakdown in the middle of the journey and may crash, and is going around looking for an emergency landing at the airport. In order to keep the passengers calm, the flight attendants put sleeping pills in their meals to make them fall asleep. And the unabashed flight attendants told the truth of the matter to a few business-class passengers who hadn't drunk them. So this group of passengers, who had recently admitted their fate, began to open their hearts and gagging with those gay male flight attendants and the captain, who had extremely complicated relationships, and the non-forbidden dialogue that sounded crazy and unscrupulous. Among this group of travelers, there are bankers who owe public funds and run away in a hurry, there are professional assassins commissioned by people who are full of corpses, and there are SM who boasted that the top six hundred men in Spain have slept with bohemian peachy news. The queen, there are elderly virgins who claim to have supernatural powers, and a couple of newly married drug dealers who are going to go abroad for their honeymoon. Such a group of mobs actually wiped out strange fireworks in the sealed space, and many jaw-dropping things that happened afterwards. The death of a person, in addition to the good words and good words, I am afraid that there is also "sex" to the full. The discussion about sex inside, especially the sex between the same sex, is even more straightforward and dumbfounding. The camera is only a guide for parents, and the speech can be absolutely forbidden for adults 18, and the tasteful desires are repeated. Almodovar’s movies are always full of strong color labels. There is never a shortage of all kinds of absurd, bizarre and coincidental stories in the early movies. In recent years, he has become serious. The helplessness of life and realistic themes make the red of his logo full of dignity. But for Almodovar, he no longer needs to prove his abilities. He wants to tell us that the youthful charm of his movie is still there, the vitality of the old naughty boy is still there, and comedy is still a trick he is familiar with. This movie is more like a test of the waters of playing tickets. He wants to be himself, he wants to vent his desires and weird thoughts through the movie. He retrieved a large number of his queen's actors and actresses on stage. The loose and messy structure is as ridiculous as the colorful graffiti at home. With so many familiar faces, the noisy men and women look more like a carnival carnival. Well, he is happy.
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