Getting better, at first I felt that performance editing and music couldn't keep up. Is Dolan driving in Dasha? You can’t listen to the conversation at all. What’s important is the last two scenes, which were taken in a crowded living room, and they were taken to tears (tested with tears streaming down the face). At this time, I was thinking about the unreasonableness in front of me, and every look was very meaningful. .
All dialogue positions and scheduling, such as the overhead shot of the male lead, the typical Dolan’s sense of substitution with the sister-in-law, and then adjusted to the third party’s sight. Go to the sister’s room for a few words, and a secondary two girl will come alive. Now... the whole film can be used as a model reference for situational dialogue.
I feel that Duolan is becoming more and more daring and skillful on the road of driving his own distinctive style. "Whether you like it or not, this is the tune of the little brother". Therefore, the path of the master must take this step, and there are two opinions on whether to go wrong or not.
The more trustworthy and safest family members are, the more unbridled they are. This state resonates deeply.
Everyone is blocked in their own cage, and they have to live their own lives as adults. The happy times, the responsibilities and the blood, even the family members of the dearest, sometimes cannot help each other.
I haven't read the original, just the end of the world, it is a very helpless comfort.
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