For spiritual pursuits, men and women may have different degrees of attachment

Alvena 2022-03-19 09:01:07

"Phoenix" implies a discussion of "performance". From the surface to the inner layer, there are three dimensions: deductive wife-survivor-wife (the actors themselves are not involved here, and Casavicz only has two dimensions). This dimension should have a sense of fluidity in the evolution of the plot, but except for the end, the sense of fluidity is too weak at other times. Only the last chromatic passage of the whole movie shows that Petzold’s ambiguity in constructing identity and subject in all works Aesthetic driving force.

Weston 2022-04-24 07:01:21

{★★★★} The war changed this woman. When I say change, I don't mean just her devastated face or spirit, but her place that's been erased forever. After returning, she refilled the blank that had been idle for her for a long time, but she could not help but tolerate the environment, nationality, social circle, and the faces of old people who were forced to bond after the fragmentation. Christian Petzold doesn't add much subjective commentary to the heroine's futile wandering, but just silently records what she does as she fumbles through the irreversible time scars, until all the clues come together in a torrent, muted out of focus. It's a curtain that falls before the break, and the movie stops there only because it can. We don't know what will happen to them in the next moment, but from the beginning the film only asks questions, not answers.