The original name of the film is actually the god of death and the god of love. The hero’s name is very similar to the god of death, and in the cemetery he manages, he is undisputedly the god of death himself, who holds the power to decide the life and death of the resurrected zombies. But he can only live in this cemetery. When he intersects with the world outside the cemetery, for example, when he meets three female protagonists with the same appearance, he burst into love, he is beaten to perfection, the outside world There is no so-called love and friendship. For the male protagonist, it is completely nothingness. The god of death (male protagonist) cannot be integrated into the living world, and the various tricks in the living world cannot be endured by the male protagonist, so the male protagonist Defeated by love, under the temptation of the statue of death in the cemetery, he incarnates as a death in the living world. Regarded as a murderer). But in fact, at this time, there is no difference between the male protagonist and the zombies resurrected in the cemetery. He has lost his vision of the living world and has become a living dead. What’s more terrifying is that no one else can do what he did to zombies. To end his own life. There are two details to be reminded here. One is that other people were bitten by zombies and died, while the male protagonist was bitten by zombies but did not die; the second is that the gun representing death was thrown into the cliff by Nagy at the last minute. Up. One thing I don't agree with here is that love does not represent all of the living world. Without love, we can still have other dreams.
Since they can’t die, the male protagonist wants to escape this world, including the cemetery and the small town representing the world of the living, but there is no way to go. They are trapped on the edge of death and life. State, continue to stay in this world, and this world is a dilemma.
Think farther, maybe what the director wants to express is: Many people in the real world are like male protagonists, in fact, they are in the state of living dead. They may no longer have any hope in the real society. They want to escape from the status quo but can’t find it. On the way to escape, they want to die but cannot die (or lack the courage to die), so they can only struggle in their own world, in this predicament, stay alive, and wait for the arrival of death.
Personally, I guess, if you see it, forget it. Maybe the director just wants to make a horror movie, a black comedy horror movie.
View more about Dellamorte Dellamore reviews
