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Nonsense, please don't watch
Freddie 2022-01-12 08:01:37
In this film, Godard does not want to teach us the truth through the film, but through the deconstruction of the film to break the most common form of human logic, so as to discover the absurdities and re-evaluate its value itself through reflection, really at this point. Dahl did a wonderful job. For example, one minute of silence, dancing, and finishing the Louvre in more than 9 minutes, etc., remind us of the absurdity. This unconventional shooting method is really strong, and this new wave of wind is fierce. Woke me up badly. It reminds me of Nietzsche's remarks that God is dead and revaluation. Perhaps Nietzsche's God is just a form that requires us to reconstitute him through reflection, which is indeed very enlightening.
Extended Reading
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Clifford 2022-03-17 09:01:06
[April 2020 Godard √ Supplementary bid] Jean-Luc "Cinéma" Godard, (Premiere in Locarno???) 1964 No. 1 in the top ten manuals. The right sense of frivolity is indeed a work that can easily become a classic movie (one minute of silence in the cafe, three-person dance, 9 minutes and 43 seconds across the Louvre, Indian footless bird, etc.) later became famous in history. Terrier), and Godard himself is also a master at playing terrier. It can be regarded as a response to [Juer and Jim], "On the triangle relationship." Of course Godard's own narration is the most interesting part of the film...
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Thomas 2022-03-23 09:02:49
Classics make classics, masters repeat masters
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Madame Victoria: I hope you go to class and not to the movies.
Odile: I hate movies.
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Arthur: In ten minutes, downstairs, in the car.
Odile: How do you know I'm coming?
Arthur: Now, in nine minutes 56 seconds.
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