The first is to routinely scold the screenwriter. These days you watch a Moffat drama and don't hack him, and he is sorry for his former fan status. However, just for this episode, it is also a special Christmas episode, the director is also Douglas McKinnon, DW Song Jiang’s harem I give five stars, and this one gives zero points. The pot of bad plot in this episode is really not Moffat's.
Generally speaking, whether it is Maggie in the play or the screenwriter Maggie, I am not willing to black him out. After all, others set full marks, and it is the ultimate dream of a fan writer to mix into the crew by writing fellow writers. However, his book is really finished. Not to mention, Shenxia, DW in the Moffat era is so mediocre. There are not many episodes that can be impressive. The most recent S9 episode IMDb scores are all over. 8 points or more, except for the ninth episode of Sleep No More with 6.2 points, which he wrote.
(Speaking of a digression, this episode seems a bit powerful at first, but the guest starring is Reece Shearsmith. If you are not familiar with his style, please go to the Gentlemen's League, Mad City and the Secret of the Nine.)
The plot of this drama is really horrible. Moffat is probably busy with DW, this whole is the scene of a car accident that was lost to McGe. If Moffat has made the audience more heartbroken through five seasons of DW, and finally got used to and compromised his style of scriptwriting, he can’t say how much his control has improved. It can last a whole season;
McGe doesn’t have the ability to act as an independent screenwriter. The plot of this episode is completely DW-level. The set style is also very similar. He has been called Doctor, plus Mr. Carmel. Mr. Halpen of Doctor Who 403 can't be more playful. There is nothing new in the way the plot is promoted. It basically rewrites the fan boiling points of the first three seasons. Anyone who has watched a few episodes of Conan can guess it. Even Anderson took it out and started washing it again, maybe there was really nothing to write.
The plot has a strange sense of rupture, and even the style of the lines is not unified. It does not refer to the transition between the Victorian era and the modern era. There is no big problem here. There is no room for inception of dreams in the plot. The professors in the thinking palace do not have very life and death or beautiful hearts. The problem lies in the overall temperament. They carefully pursue a sense of texture, but they don't carefully polish the plot, which may be related to the fans' urging, but they did not speed up a little because of the fans' urging. The whole film has a kind of lightness that floats on paper, and the face is full of work, but the content is so disproportionately empty. This is wasteful, and in the long run, people will have a lingering feeling of fatigue. Even those parts that are now considered to be bugs and will be found to be foreshadowing in the future are too lazy to explore.
The plot is one aspect, OOC is the other. Regarding the original OOC, fans have been fans for so many years and say this is boring. Reasonable discussion, the official self-destruction calculation is not OOC. To say that the second season of Beng Ren Design has already begun, but at that time it was still plot-driven. The main line pit could distract a lot of attention. By the third season, it was a huge joke. Compared with the vague way of death, I What is even more unacceptable is the so-called mofu sugar in the first episode of 29 minutes and 50 seconds.
It was still written by Maggie, although the pot was given to Moffat in the end, who made him the chief screenwriter, and who made him good at playing with fans: he could have written the role three-dimensionally and pleasantly from the beginning , When superimposing popular attributes, I have to write them so that they are particularly hated, and then whitewash them technically-the same behavior, George, ah, Martin did very smoothly. Moffat used to treat Clara this way, and now treats Mary this way, and recently Lady Me.
It is from jumping off the building to explain that this drama has become a fanfare through and through. It's not to pinch CP, I also stand Mofu, but it feels like I have an OOC Raven big hand in my own home, do you think you keep it or choke it to death. For the same reason, there is also the Reichenbach Falls in this episode, which is so ruined that there are no scum left. Of course, different Sipi may understand differently. I think the destruction is because the arrow direction has changed.
This episode can be stamped Detective Arrow Professor, this is the biggest OOC. Although chaotic morality and self-righteousness are often used in essays, the two sides of the coin, I created you/I am your stalk, but essays are literary dramas and dramas. I don’t want literary stalks to appear in the drama. The detective should be a superficial one. The person who seems to have stress disorder but actually obeys absolute justice, Moriarty weakens him, but never becomes his weakness, and he must resolve his fears by himself. In the end, what the hell was the doctor kicking the professor down? If you think it's sugar, I didn't say it.
Another problem with the plot is the spiritual core. It feels a bit ironic, but I want to mention feminist rights here. Moffat has just filled in a huge historical pit to some extent, and bid farewell to a heroine he had refused to let go before. It feels like he is much more friendly to women-given that he is a well-known female disgust. disease.
But thinking about it is not right. Women organized groups to murder their conscienceless husbands, and some were not conscienceless. This is indeed a kind of self-conscious awakening, but it has never been the best way to solve problems, and it is not in any era. An approach that is in line with human sentiment and legal principles. A group of people premeditatedly commits an evil deed, which requires one, not low IQ, and two, they have total malice in their hearts, otherwise they will not be so extreme.
Of course, under the setting of Sherlock who is anxious about hearing the news that the professor is back, and dreaming of a long-lasting mystery, this is indeed a story suitable for dreams, but this is not an R-level. When the creators express an attitude : When women have to use violence to defend their rights, they break the law. They need to be responsible for this attitude. In the mystery of Xia Ying, Rachel said to Bruce: Killing a person is not just punishment, it is revenge.
Finally, there is the question of the director. McKinnon and Paul McQueen are more than a little bit different. This director has not paid attention to it before, and the two most recently watched are this and Song Jiang’s harem. That movie was only 55 minutes long, and it was Song Jiang. I was so excited that I didn’t have time to pay attention to the director. The shortcomings became obvious. The plot was too watery and it was easy to get distracted. In addition, the director of the first and second seasons was an obsessive-compulsive disorder. As for the part where the professor went to the detective's house, it should be regarded as a distant echo of 203. It should be easy to feel the comparison between the two parts. There is a big gap between the mirroring and the composition. The lens temperament and rhythm are all wrong.
But this is already the least important issue. It is a rare opportunity to become a phenomenon. Over the past few years, watching it be destroyed bit by bit into something other than our original favorite dramas, the brain-disabled fans are just the most insignificant of them. A contributing factor of this. In fact, there is no hope for the film itself. The third season has already been off fans. Although new ones will be released later, they will continue to watch. This time it is just a contribution to the box office, which is regarded as a nostalgia for the love in the past.
One more sentence: I just watched women's political debates, not discussing the position of the film itself for the time being, and reluctantly attributed these two films to women obtaining rights through some degree of violence, the screenwriters of this episode of Shen Xia should really feel that shame.
If the starting point of violence is not pure revenge—if it is, don’t pretend to be a feminist—violence has always been a very sad thing. It is extremely superficial and irresponsible to mislead the audience with the wrong lens language and emotions and make people feel that they can be viewed with an entertaining attitude.
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