The film is interspersed with two story lines of two couples separated due to war. One line is similar to Liao Zhai. Yuanjuro leaves his wife Miyaki due to the porcelain business and meets the ghost of the dead princess. He throws himself into a gentle homeland without thinking about Shu. He is accidentally ordered. After waking up and returning home, he met the ghost of his deceased wife who had been killed by the defeated army and learned the truth overnight. After that, he focused on porcelain production, while the other line was realistic and wanted to be a samurai. After hitting his fame, he met Abin, who had become a celebrity prostitute and was separated, and abandoned his suspicion of returning to his hometown as a male farmer and a female weaver. The war broke homes and wives, and made people greedy and depraved. The final elimination of all difficulties and the reconstruction of the hometown is obviously anti-war meaning, and the deeper level is Kenji Mizoguchi’s unique female perspective. The three women in the film Each has its own characteristics. Miyagi can take a calm view of world affairs, be gentle and decent. After being stabbed to death by a defeated soldier, he met her husband with a lamp on the last night, without blaming other local affair. And the princess Ruoxia missed the world because of her early bereavement for the sake of love and joy. She was completely emotional for Genjuro. After learning that he had concealed deception, he threw herself into staying, but she was discouraged when faced with the knife he wielded and did not harm him. Because of his intentions. Abin is a woman who goes with the crowd. After being abandoned by her husband, she was raped and then stepped into the dust. When she meets an already outstanding husband, she will be able to continue her forefront, survive tenaciously and take control of life. The war life from the perspective of these delicate descriptions set off the independence, wisdom and tolerance of women, while the male characters appear reckless and naive in comparison. Finally, Kenji Mizoguchi’s shooting techniques left a deep impact. Almost all shots were shot by shot, and he was amazed by the huge changes in the scene after several shots in the same scene. The dramatic performance left a deep impression.
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