produced: French New Film Publishing House, MKZ Production Company, Stella Film Company, etc. co-produced in 1987.
Screenplay: Louis Mahler
Director: Louis Mahler
Starring: Gaspar Manais (played by Julian Gundan). Rafael Feto (as Jean Bownet).
Awards: The film won the 1987 Venice International Film Festival Golden Lion Award; won seven 1988 (best film, best director, best editing, best sound, best photography, best set, best screenplay) Caesar Award.
Translation: Song Guanghui, single Wanli
title figure: Zhou Zheng
would like to dedicate this film
ranks Oder Mock, in Steiner and Kelao Ai
Paris Gare de Lyon, interior, day
1. medium shot, Mrs. Gangdan, a A middle-aged woman who is 40 years old and older. She has brown hair, a melon-seeded face, and a thin body. She wears a very elegant hat and a leather coat. Next to her is her son Julian, 12 years old, with blond hair, wearing a student uniform, shorts, a black cape, and a beret. The mother and son stand face to face on the platform in front of a carriage, and Julian looks down. On the ground. Pedestrians passing by came and went, among them were German soldiers.
Mrs. Gundan: Julian, don't you want to go to school again? ...You are really ignorant... (2. Close-up, slightly upward: Julian still looks stubbornly at the ground, she bends down, her tone is more gentle) The crying nose is not good, you have promised me.
Julian (didn't look at her, stubbornly): I didn't cry! I didn't cry at all!
Mrs. Gundan: I will visit you in three weeks. Besides, you can also go out and play on the Feast of Lent. You see, this will pass soon!
3. Close-up, counter-attack: Julian raised his head, his eyes twinkling.
Julian: Why are you talking about this? You are well aware that this will not pass anytime soon.
Mrs. Gundan (gently): Your dad and I will write to you often.
Julian (stiffly): Dad, I don't care? You, I hate you!
A boy’s voice (outside the picture): hello,
Julian ... 4. Close shot: Mrs. Gundan looks at the boy who is talking
...
Nangai (outside the picture): I am honored to meet you, madam... Gundan The lady turned her gaze to the two boys, who were wearing the same school uniforms as Julian and were getting in the car. A left pan spotted them. Madame Gundan suddenly grabbed Julian's cloak with excitement. The camera reframed them.
Mrs. Gundan: Are you unhappy to see your classmate again?
Julian: Happy, hum, that little fool of Sagar! I don't want to talk to him at all!
She smiled and held her son tightly in her arms.
5. Medium shot: Two older boys are walking along the carriage on the platform (the camera follows them to the left), one of them is Julian's brother Francois, 16 years old. With a cigarette in his hand, he stopped in front of his mother and brother.
Francois: It's still hard to separate here! (To Lien, mockingly) My less than Lien, you never want to miss the train! A good student like you!
Madame Gundan (try to show the parental style): Francois, I don't allow you to smoke!
Francois (indifferent): This is not tobacco, it's corn silk.
Mrs. Gundan: So what?
Francois: It doesn't cost much... (puffs) Goodbye, mother.
Mrs. Gundan: Goodbye, my eldest master.
François walked towards the train, and when he reached the door he turned to them again.
Francois: Be careful not to miss the car!
Train conductor (coming from the back view): Please hurry up and get on the train! Please get in the car as soon as possible!
6. Close shot: Julian looked at his mother disappointedly. (Over the shoulder) She put her arms around Julien's neck and kissed his forehead.
Mrs. Gundan: Get in the car.
7. Panorama: She took her son to the door of the carriage, and Julian threw herself into her arms, and she hugged her son tightly upstairs. The camera slowly moved closer to them, and a lipstick mark was placed on Julien's forehead.
Mrs. Gundan (lowly and quickly): Don't you miss me? Do you think this is funny? I miss you all the time. I want to dress up as a boy and follow you to school, and I can meet every day. This is our secret...but you know, I can't keep you in Paris and be by my side...
The music of the piano, the roar of the train starting and the sound of the siren are intertwined.
Countryside, location, day
8. Close-up: Car windows, trains are moving, and the frosted glass reflects the shadows of trees passing by. Julian absently looked out of the window. The smoke emitted by the locomotive...
9. The train is driving on the wilderness under the gray sky in winter. The credits begin.
10. Close-up (closer than lens 8): Julian sat in the seat close to the car window, he looked melancholy. Inside the carriage, you can hear the signal from the train passing the crossing, and the children chatting and laughing noisily.
11. Vision: countryside, fields, sparse woods.
12. Close-up (same as 8): Julian spread both hands on the car window glass, and then put his face on top.
13. Vision (same as 11): Countryside. The sound of students singing began to be heard on the screen. The title of the song was "I have loved you for a long time..."
Small town, location, day
14. Panorama: a sloping street with a truck parked in the lower part. Two German soldiers drifted away, and suddenly more than 40 children appeared on another street. They dressed in student cloaks, walked and sang in a double column, not a real chorus. A young priest looked very enthusiastic about Xiangzi, dressed in a brown checkered cloth, leading the children. He is Father Michelle. He walked towards Julian (the close-up framed him in and moved with it).
Father Michelle: Hello, Julian. Did you have a good holiday?
Julian (unhappy): Okay, Father.
Father Michelle: How are your parents?
Julian: Okay, Father.
Father Michelle quickened his pace and started painting. The close-up framed Julien and a short and fat little boy, his name is Bambino, walking side by side with Julien.
Bambino: What did they give you for Christmas?
Yu Lian (slightly arrogantly): Book.
Bambino (disgustingly): Just a few books?
Julian (naturally): Yes.
Bambino (with his voice under his breath): Oh, that's a stingy!
The gate of the school, the priest is standing at the gate (camera pans to the left).
15. Feature: Children pass in front of a wooden sign with the inscription: Saint Jean Delacroix Secondary School of the Carmelite Monastery.
16. Close shot (same as at the end of 14). Let the priest take the students to the yard, we can only see part of the yard. At this time, a slow bell rang.
The opening of the film is over.
Student dormitory, interior view, day
17. Middle shot: three rows of iron beds, photographed in an oblique shape. The student dormitory is converted from a small church with two chandeliers on the ceiling. The children are in their pajamas, packing things up. A boy who hadn't changed his pajamas came over, put his backpack on the middle bed, and sat down with his back to us.
Child A: Have you never read a novel by Jules Verne?
18. Change an angle, middle shot: the door is on the right. Julien is in the center of the picture, and he is undressing. Behind him, two children knelt down and chatted behind a bed, one of them put a hand on his companion's shoulder. A young man about 20 years old is checking the dormitory. He is the superintendent and his name is Moro. In the deep view, there is a large statue of the Virgin, but most of it is outside the painting.
Child B: I have read "Twenty Thousand Miles Under the Sea".
Child A: What about Michel Stogov's?
Child B: Well, I have read...
Julian has changed into his pajamas, holding a bag of things in both hands, and cautiously walks to his storage grid (the camera moves to the left as he moves). Each student has a grid in the large closet along the wall.
Moreau (in the background, bending over to a bed): Mr. Raviron, how about packing up your things?
Child C: Have you shaved your head, Duvali?
Child A: Stop talking!
Moreau: Naval, put your dirty feet on this bed cover?
Silom, one of the students, slowly approached Julian, looked at the grid where Julian put things, and took out a bottle of jam from inside.
Siron (with a funny German accent): Ah, the black market, Mr. Gundan. I think I have caught you...your jam, I have confiscated it!
When Xilong finished speaking, he ran across the dormitory, and Julian hurriedly (camera pans to the right).
19. Close shot: Four students (two of whom have just appeared). Silom jumped onto a bed, and Julian grabbed him, and the two fought into a ball.
Moreau (outside the picture): Gundan, stop!
Julian stood up, holding the jar of jam in his hand.
Julian (dancing arms): I'll do this again next time, I have to beat you down!
Julian walked forward. In the background, three boys (among them a pair of twins) are carefully looking at a photo.
Baru: I rationed her to my brother.
Julian walked up to grab the picture, looked at it slowly, and then returned it to the owner contemptuously.
Julian: She hasn't grown breasts yet!
The thin boy with glasses shrugged. Xilong also leaned over to take a look, and Julian walked away. A boy came over and quietly informed his companions.
Boy: Watch out, the old priest is here! (A small group of people dispersed immediately)
20. Close shot: Looking out through the doorway, a priest is walking into another dormitory with two boys without school uniforms. At the same time, another priest, his name is Jean, is the master of the school. He led a boy named Jean Bownet into the dormitory of the lower grades. Bownet did not wear a student uniform. Let the priest be more than 40 years old, tall and thin, and his soft tone when he speaks is in stark contrast to his stern appearance. Jean Bownet was about the same age as Yulian, with curly brown hair and a cautious look... When the two of them walked into the dormitory (the camera pans to the right), the children respectfully greeted Father Jean.
Children: Good evening, priest.
Father Jean (in the background, to Moreau): Is this bed empty?
Moreau: Yes, Father, Deparville has whooping cough.
Father Jean (to Bownet): Just live here. (To others) Children, let me introduce you to Jean Bownet, your new classmate. (Bao Nai puts the suitcase on the bed of his neighbor Julian). Mr. Moreau, find him a grid.
21. Close-up shot: Bao Nai wears a corn-colored coat with a beautiful face. The other children surround him, and the newcomer is immediately attacked by an oncoming pillow.
Children: Hey, nightcap! Donkey ear hat!
Moreau (ran over to protect him quickly): Enough! Let him be quiet! (To Bao Nai) Come, I'll find a grid for you to put things in. (Moreau takes Bowie out of the painting, outside the painting) Just use this, and get your luggage.
The camera moves closer to Bowie's bed. The children retrieved their pillows. Julian snatched a book from Bownet's opened box. Bowie is standing opposite him.
Bowie: What is your name?
Julien (he didn't even lift his eyelids, he was reading a name, with a strong French accent): "The Memoirs of Sherlock Olmes" (he pronounced Olmes).
The lights went out, and the children immediately became silent.
Children: Hello! ...Turn on the lights!
Moreau: Stop talking, go to bed! It's time to turn off the lights.
Julianchou base returned the book to Bao Nai.
Julian (indifferently, provocatively): My name is Julian Gundan, whoever wants to find a mess with me, let him wait and see!
He left immediately after speaking. Bao Nai looked embarrassed, read him for a while before putting away the book. The camera moves, leaving Bowie on the right side of the screen. He is looking at the statue of the Virgin, the first time we see all of the statue of the Virgin. Bowie is in the shadows.
22. Close shot: Julian lay on the bed, turned on a small hand lamp, and picked up a book from the bedside table. The dormitory was silent, and Julian was studying. The camera moved closer to him.
Bathroom, interior view, dawn
23. Medium shot: White washrooms with white walls all around, with a row of washbasins in the middle. The children ran back and forth without washing their faces. Moreau tried to maintain order, but in vain. Julian was even more dishonest, running around the house.
Moreau: Hey, stop... Julian stop!
Bowie came in, holding a towel in his hand, and lowered his head shyly. All the basins were used by people, and he walked around to a place where no one was there. One of the twins was bombarding him.
One of the twins: tell you, that's my place!
24. Close shot: On the other side of this row of basins, Brown Day, a chubby boy is arguing with Silong. Bowie put his toiletries in the last basin.
Brown Day: Whose class will you have today?
Silom: Danxiu's and Michelle's...
Brown Day: Oh, Michelle's... (He bends down and combs his hair in front of his little mirror)
Bao kiss (Turn on the faucet, and the water comes out ): No hot water?
Brown Day (contemptuously): No, no hot water, we are not so squeamish.
Browning picked up things and walked away. When he passed Baonet, he slipped an icicle that had just been broken off the icy faucet into Bownet's neck. Bownet twisted and turned, causing a disturbance. laughing out loud.
Interior view of the classroom, day
25. Close shot: Brown day sits in front of his companion, in the foreground of the picture. He didn't sleep well at night and was napping. Outside the painting, let the priest pray in Latin.
26. Medium shot: altar. In the background, a priest is performing a prayer ceremony. Let the priest come with the children of the two choirs. All the children stood up.
Let the priest: In fact, in fact, I said to you that if you don’t eat the flesh of Jesus and drink his blood, you will not be able to get life from me... (27 and 25: Brown sun fell. (Outside the painting) Who ate my meat...
28. Close shot (slightly far away): After Brown Day fell, Morrow lifted him up.
Moreau (to Michelle): Father Michelle, help me, come on!
The priest got up immediately.
29. Close shot: Let the priest wear a dark robe with a pair of glasses on his nose, and continue to read, as if what happened before him did not surprise him at all. Behind him, there is a statue of the Virgin.
Let the priest: Whoever eats my flesh and drinks my blood will have eternal life. Because my meat is indeed food (30. Close shot: Brown Day is carried away. Outside the painting)... and my blood is indeed a drink.
Julien and François each held a book in their hands, sat among the children, and were framed into the camera.
Francois: I didn't eat anything, it was freezing to death. But to get the Eucharist, you have to have an empty stomach. This horrible place!
Julian (surprised): Are you going to receive the Eucharist?
François (squeezing from between his teeth): I'm not as good at flattering like you!
The singing voice increased.
Classroom, interior view, day
31. Close shot: Julian is in the foreground. He is sitting next to Brown Day. He is reading a poem in the textbook. He reads a poem very quickly, but very badly. There is a floor-to-ceiling window deep in the classroom, and a row of coat hooks is placed against the wall. As the scenes increase and the background becomes clearer, there are other students in the classroom, a geography wall chart, and Danxiu, a Chinese teacher. He is thin and has a stern expression. He walks back and forth between two rows of desks. Holding a ruler. It was cold, and neither his gloves nor his coat were taken off. Bowie sat in the last row of the classroom against the wall, next to him was Naval.
Julien: "The starry sky of the sea. The vast sea and huge waves are surging into the sky. The waves are like boundless wheat. The tumbling waves foretell our full granary. Facing the boundless sea, you look far away, and you cry out when you look at the boundless ocean. Our friends are on separate sides, and our hearts are extremely desolate. Our clenched fists are loosened. We are tired but we are infinitely powerful..."
Danxiu (interrupting Julian, mockingly): Gundan, you are absolutely fine. Enter the French Comedy Theater! (laugh). Can you tell me who is Charlie Becky?
Julian: He...he died...he was killed in a war of several years or so.
Dan Xiu: Why do you start from the back?
32. Close shot: Julian turned his back to us, but he turned his face to face us, as did the two neighbors on his left.
Julian (smiling): His mother stuffed the chair with straw. (The whole class laughs)
33. (Ending with 31): Dan Xiu, Bowie and Naval.
Dan Xiu: Don't laugh so foolishly. Beji's mother is an amazing woman. (He turns to Bownet) How about you, Mr. Bowno, do you know anything about Charlie Becky?
34. Close shot: Bownet and Naval. Navarre is chubby, has very short hair and wears glasses. Bao Nai raised his eyes to look at the teacher.
Bowie: I don't know, sir, my name is Bowie.
Babinuo (other children also followed, outside the picture): Just like Du Bo, Du Pont, Du Bao Nai!
Bao Nai was irritated by these jokes and turned around.
Danxiu (walking forward). Bambino is so funny! (36 with 33: Bownet and Naval) In order to make you re-enter the state of learning after you return to school during the holidays, you will explain the first two verses of this poem. (He looks at his watch)
36. Close shot: Julian is still thinking. Behind him, other students have begun to write. Julian picked up the compass and placed it on the back of his hand to draw a circle so that the tip of the compass could penetrate into the flesh. Brown Day is writing.
37. Close shot: Bao Nai was pale and sat very straight. He wrote swiftly with his left hand, concentrating on his homework. Suddenly, there was a voice speaking German outside the classroom, and he raised his head and leaned forward.
Voice (German, outside the picture): Watt! watt!
38. Close shot: Through the glass of the second floor-to-ceiling window near the podium in the classroom, you can see a young German soldier, who put his hands together and placed his beret on the beret.
Soldier: Peter, Watt... I want to confess... (He speaks in German first, then repeats in French)
A priest approached him.
39. Close-up: Julian tilted his body, turned the compass faster, and glanced at Bao Nai who was sitting behind him.
40. Close-up: Bao Nai started to write again, but raised his eyes to see Julian.
41. Feature: Julian tilted his body and looked very melancholy. He turned his face back.
42. Close-up: Julian put his hand on the workbook, and he used the tip of a compass to let the blood flow out of the wound.
43. Close shot, Yulian and Buqiri.
Brown Day (probe to Julian): You are crazy!
Julian (if nothing happened): It doesn't hurt at all.
Brown Day shrugged, and went on to do his homework. In the background, Bowie looked at Julien.
44. Close shot: Dan Xiu sat at his desk and flipped through a book. On the wall behind him hung a map of Europe, a globe, and geometric instruments. On the table, there is a bottle of ink and a teacher's hat.
A faint "ouch" made him raise his eyes. In the background, people began to hear the noise of students in the playground.
Playground, location, day
45. Close-up, slightly bent: the legs of two children are stepping on wooden stilts. The camera moves up slightly...
46. Close-up:...to the height of their bodies. This is Julian playing with one of his companions.
47. Take a larger scene: let the priest also walk towards Julian on stilts.
Let the priest (laughing): Tap Gundan! lighter!
Julian had a great time. After he received a blow, he adjusted his balance and fought again. Let the priest walk towards the background.
Let the priest: be careful, children! Be careful. (Camera pans to the right) Another group of students, they are "senior grade". One of them brutally hit a child named Nigus, who was the student who had just arrived at this school with Bownet.
48. Close-up feature: Nigus, curly brown hair, not wearing a school uniform. He got up and looked out of the painting in surprise.
Child's voice (outside the picture): Hey, Nigus, chase that guy!
49. Close shot: Bao Nai is sitting next to a stone bench reading a book, with his coat collar upright. Four boys approached him quietly, grabbing his legs and arms.
Sagaer: Give him a lesson and make him warm!
Bao Nai couldn't deal with the four opponents, and resisted weakly. The camera pans to the left to frame them. Behind a partially collapsed courtyard, three senior students lighted cigarettes while walking away along the path.
50. Feature: Lower grades on stilts. Julien, always full of confidence, wandered around a boy who was easily knocked down by him.
Julian: I am Bayar, the fearless and blameless knight. Hello! Oh! (He raises a stilt to show victory, and the other foot supports his whole body steadily). Long live the Virgin!
51. Feature: Laviron, a senior student, immediately ran over to Yulian.
Laviron: What's the matter, Little Gundan, who are you scaring?
52. Take Raviron's run: He will knock to the ground immediately.
53. Close shot: successively falling down. He held the knee that was hurt when he fell with both hands. Behind him, other students, we can only see their legs on stilts. Among them is Nigus.
Julian: Bastard, Raviron!
Nigus: Beware, Raviron!
54. Feature: Raviron was surprised, he was a little disturbed.
55. Close shot: Nigus walks forward on stilts.
Nigus: Coward! traitor! treachery! It's me, Nigus, the black knight, who specializes in soothing the weak and the lonely...
Laviron has his back to us. Around these fighters, the children formed two major factions, one supporting Raviron and the other supporting Nigus.
Children: Raviron, come on! Nigus, come on! Raviron, come on! ...
56. Approaching the scene: Nigus turned his back to us, and attacked Raviron who faced us.
Laviron: Behind the black leather! I am the Lion Psyche Chad, the pride of Christians! (57 followed by a larger scene) I will drive you out of Jerusalem, you unfaithful Muslim! ...
58. Feature: Nigus faces us.
Raviron: Dog bastard!
Nigus took a blow to the opponent's shoulder, backed up, and then it was time for him to attack.
Nagus (speaking of a ridiculous Arabic accent): Allah is (is) God, and Muhammad is his progenitor (knowledge). You tremble my friend! ...
59. Middle shot: The children formed a circle around the fighters. Raviron stepped back and prepared to meet.
Nigus: Lion heart, fat pig's head, chicken butt, cowhide...
60. Feature: Raviron retreats.
61. Feature: Nigus moves forward.
Nigus: Allah, Allah, Allah, Allah...
62. Close-up feature: The two collided and draw. Only spectators are left on the screen.
63 Close shot: Julian among the children is watching. Bowie walked towards him and stopped beside him.
Silom: Raviron, come on!
Bowie: Nigus, come on!
Julian was surprised by Bownet's appearance and his intervention, he looked at Bownet.
Julian: Is Nigus his real name?
Bowie (contemptuously): What do you think?
Bambino: Come on! Laviron!
Julian (annoyingly): Look at his stinky mouth! do you know him.
Bowie: His name is Rafar, and he is my best friend.
A child: Raviron, come on!
64, the middle shot, the fighters surrounded by spectators.
65. Close-up: the bottom of stilts. Raviron hooked one of his opponent's stilts and copied his path.
Laviron: Ooo! Kill the Muslims!
66. Same as 64: Nigus was forced to drop his feet on the ground and swing his stilts like a spear. Everyone laughed.
A student: Raviron is great! Well played!
Father Michel blew the whistle, announcing the end of the break.
Father Michelle: Gentlemen, the break ends here. Go back to the classroom! (Students do not go back. 67. Close shot: picking up the back of Father Michelle) Bowie, go back quickly!
The students finally left.
Kitchen, interior view, day
68. Medium shot: All kinds of kitchen utensils are neatly arranged on the shelves and in the cupboards. Julian was sitting on a bench, and Mrs. Bellan was healing him. She was a cook, very fat, and spoke with a country accent. She disinfected the wound on Julian's knee, and Julian screamed with pain. Julian
: Oh...
Mrs. Bellan: It doesn't hurt at all. Be quiet and I will put a piece of adhesive tape on you. Playing on stilts will kill people...
A student (outside the picture): pure butter, authentic sugar. (
Julian raises his head) Mrs. Bellan is in the background, preparing a dressing.
Mrs. Bellan: I will definitely break my leg these days.
69. Middle shot: The walking foot leading to the kitchen can be seen from the door frame. Joseph, a male chef, in his 20s, is asking a student for a box of sugar. The student grabbed the ticket from him and immediately walked away, and Joseph limped after it.
Joseph: Hey, no! What I just said was 45! (He pauses for a while, then walks back to the kitchen and puts the candy box in his apron pocket) People really become richer the richer they are!
The camera moved to the left with Joseph, and when he walked into the kitchen, he framed Mrs. Bellan, and then framed Julien after she spoke.
Mrs. Bellin (outside the picture): Joseph, what bad idea do you have? Get the potatoes! (For Lian, gently) Alright, post it up.
Mrs. Bellan walked to Joseph. He was peeling potatoes. Joseph has a handsome face and brown hair, but it is very unorganized. Mrs. Bellan loves to drink a little wine from time to time, and she is drinking a glass now.
Joseph: You drank too much, Mrs. Bellan.
Mrs. Bellan (pours another glass): Shut up little guy! Evil is rewarded. (She walks towards the back view) Julian walks
towards Joseph. Re-frame them, Mrs. Bellan is out of the picture.
Julian: Do you have any stamps?
Joseph: I won't deal with you guys anymore!
Julian: I have jam.
The camera slowly moved closer to them until it became a close-up.
Joseph (in a low voice): After lunch...the doctor's wife, she is obsessed with your jam. (Sneerly) Jam stabilizes the uterus. do you understand me?
They exchanged glances for a long time.
Canteen, interior view, day
70. Panorama: Children sit in front of a long dining table (photographed in an oblique shape). In the depth, there is a wall with windows and a lecture desk. The camera moves towards the dining table where Julian and his classmates are. A rectangular basket was handed over on the table, which contained everyone's food. Joseph was busy back and forth in the aisle at the dinner table.
Brown Day: Give me the basket! (He takes out a big lunch box from the basket)
Bambino (sitting next to Brown Day): Now, there are stalks in the bread. I want to write to my father.
Brown Day: What about your father?
Bambino: He can go to sue.
The bell rang lightly.
71. Medium shot: Lecture desks, are they prepared for priests or not. Over the shoulder camera, behind, the heads of the students.
Let the goddess (to the people in the cafeteria): I remind those students who have their own food, you should share it with your classmates.
Joseph (outside the picture): Hello, Mrs. Bellin, please help me push the dining car.
One student (outside the picture): Who wants to eat sausage?
Another (outside the painting): me.
72. Close shot: The big basket has been placed on the table. Brown day puts a lot of minced meat on the bread.
One student: I tell you, this is horse meat.
Brown Day (for his own sake, he feels it is necessary to defend himself anyway): Then I have to eat too. I have anemia. (He puts the knife in the minced meat again)
Xilong (indignantly): What about us? Did you hear what the priest said?
Brown Day (mouth full of ground): All people don't have enough food, you should ask your parents for it.
73. Close shot: Bowie sits next to Navarre, who is at his desk in his classroom, and Navarre eats with a large plate.
Naval (pointing to the meat): There is only one piece left.
Bao Nai (indifferent): You can eat it.
Naval (happily): Thank you, you are so generous.
Bao Nai eats lentils.
74. Medium shot: dining room. As the bell came, a student stood up, on the right side of the foreground of the picture, and he began to read a book. The rest of them looked at him and listened absently. Moreau stood in the background.
Student: Today, St. Simeon Stilite... St. Simeon Stilite is 13 years old. He is taking care of his father’s flock and suddenly heard such a passage in the book "The Gospel" Wen: "If you laugh now will bring disaster, one day you will cry." (Laughter)...So he left his parents, became a hermit, and lived on a pillar for 30 years... (Laughs. This) A student looks at his companion and tries his best to remain serious) "He stands there, without shelter, (75. The perspective of the cafeteria) with concentration in endless prayers."
The student stood on the right, and most of the others turned to him. . Julian stood up, put one leg on the stool to "rest", arms stretched out. The others laughed. Yu connected and put his arm on the boy in front of him, and the boy pushed it. Julian sat down, contented. Moreau passed by each row of dining tables, and he was handing out biscuits, one for each. In the background, some children have left the canteen.
Moreau (to the person in the
dining hall): Vitamin biscuits, vitamin biscuits... 76. Close-up: Bownet and Naval. Bowie is eating a peeled apple. The two raised their heads when they heard the superintendent's call.
Moreau (outside the picture): Vitamin biscuits.
77. Close shot: Moreau made biscuits. Julien succeeded in getting two dollars. The camera moved with him back to the right. Naval walked away. Julien is on the left next to Sagar. Sagaer snatched the biscuits handed to Bownet by others, licked it back and forth, and then returned it to Bownet.
Sagaer (maliciously): Here, it's better now.
Bowie felt sick and pushed the cookie aside. He walked along the table to leave, but Julian stopped him.
Julian: Here, I have two dollars.
Bowie: No, thank you. I'm stuffed. (He is gone. Moreau is on the left of the screen)
Julien (now on the right): This guy really annoys me.
Joseph cleared the table and put the plate in a large basin. He walked towards Julian. Besso, a senior student passes behind him.
Besso: Isn't this Joseph, a handsome man!
Joseph (not paying attention. To Lien): Do you have jam?
Julian (pointing to the basket): Yes.
Besso grabbed Joseph by the shoulder and dragged him behind him. The camera pans to the right.
Joseph (screaming): Stop, don't stain my pants!
Besso tripped him, shook his body, fell over, and flung out his wallet. Besso snatched his wallet amid the laughter of others.
78. Close shot: Besso is surrounded by François and another senior student. He takes a photo from his wallet. Other students also came to watch.
Besso: Joseph fell in love, guys...but, your fiancée is not so good...
Joseph (gets up, grabs the photo from Besso, provocatively, annoyed): What about your sister? ? What about your sister? ...
Joseph walked away in pain, and tried to run a few steps, the rest of them were still chasing him and making noises. The lens then moves to the left.
Mrs. Bellin (outside the painting): Joseph...
Playground and school feeding ground, exterior, day
79. Medium shot: Bowie, Nigus and Dupree are walking in the front of the yard, they are walking and talking, only Dupu There was a person in a school uniform.
Bowie: Dan Xiu looks like a cow, doesn't he?
Nigus: No, he is fine.
Bowie (to Dupri): What about you, what do you think of him?
Dupri: Yes, my Latin text surprised him.
Julien walked quickly, with his hands in his trouser pockets, overtaking them. The camera moved with Julian, and he walked towards the place where Joseph worked. Julian walked up the path behind the collapsed wall.
80. Close shot: Joseph is on the right side of the screen, feeding the pigs with leftovers from the canteen, and Julian whistles and comes to him. The scene of the picture gradually gets bigger. The back view is the beautiful building of the school. Julian walked across the wooden fence to look at the pigs.
Joseph: You can eat pork in three months.
Julian: Nonsense! Have to wait until the school holidays. In this way, parents will say: "You guys are eating really well!"... Let me look at the stamps.
Joseph put the basin on the fence, then came under a tree (camera moves), and Julian followed. Joseph handed him an envelope.
Joseph: There is a Madagascar stamp on it with a face value of 15 centimes. The guy said that stamps of this kind are rare.
Julian (checking the envelope, trying to bargain): It's so rare... (Return the envelope to him. Coldly) I think I'd better keep my jam.
Joseph (takes out another envelope from his apron pocket): You are so greedy!
Joseph whistled. Yu connected the second envelope, took out the jar of jam hidden in his sweater, and handed it to Joseph. Joseph took the jam and put it in the pocket of his apron, and went back to fetch his pot. The camera shifts. Julian approached.
Julian: Hey, have you fallen in love?
Joseph (looking at Julian): Stop teasing, this is serious business. Can you lend me 50 pieces? ...Woman, man, you can afford to spend money! You will understand.
Julian (as if angrily): I don't understand anything. First of all, you call money like that (he turned and left, with his hands in his trouser pockets).
Joseph: Yes, they paid me that little wage! ...If I could find another job, (he continues to work)
Julien: I don't have a single one. Ask Francois to borrow it.
Classroom, interior view, day
81. Middle shot: Gibre, a math teacher, standing in front of the blackboard drawing pictures. He was 60 years away, thin, with white hair. He is wearing a sheepskin coat, beret and gloves. He drew a trapezoid in the drawn circle and lectured with his back to the students.
Jibur: Siron, put some dry wood in the stove, and it froze to death. (Xilong gets up and makes a military salute. Laugh) Don't think I'm joking on purpose, (laugh)
82. Close shot: Jibble turns to the students and points to the geometric figures drawn on the blackboard.
Gibble: Can anyone tell me whether the sum of two corresponding sides AB and CD in this quadrilateral is equal to the sum of the other two corresponding sides BC and DA? ……
83. Zhongjing: The students face us. Julien and Browne sat in the first row. Several students raised their hands, among them Bao Nai. In front of Baoqin, Xilong was adding dry wood to the stove.
Gibre (outside the picture): You, the newcomer.
Silom: His name is Du Banai, sir.
Bowie stood up, and the camera moved with it.
Bao Nai (when passing in front of Xilong): Okay, people know.
Bowie walked forward, Brown Day tripped him, he almost fell, and he cast a fierce look at Brown Day.
Jibur (hands Bownet a piece of chalk): Go write it!
Bao Nai solved the problem easily. He pointed to the graphic explanation on the blackboard as he wrote.
Bowie: Everyone knows that the two tangents drawn from a point to the same circle are equal...
Jibull: Okay.
Bowie: Then, A is equal to small a plus small a...
Jibble: Yes.
Bao Qin: B is equal to small b plus small b.
84. Close shot: Brown touched Julian with his elbow and made him turn his head. The camera follows its gaze (shaking right) until a very thin, pale boy (Babinuo), with his eyes half open, the table is lifted, as if he is about to faint. At the same time, Bowie continued to explain in front of the blackboard.
Gibble (outside the picture): Good.
Bao Nai (outside the picture): C is equal to small c plus small c.
Gibre (outside the painting): Yes.
Bowie (outside the painting): D is equal to small d plus small d... Gibre (outside the painting
): Very good.
85. Close shot (starting with 84): Brown Day makes handjob movements. Yu Lian laughed. The two spoke in low voices.
Julian: Do you believe it?
Brown Day: It seems boring. There is no risk with him.
Bao Nai (outside the picture): AB plus CD is equal to (86 and 83 are boxed in Bao Nai at the end) b plus c plus d plus a...
Gibre: This is for the same reason, it's obvious. well-done.
Bowie put down the chalk. Gibble stood behind him with his arms crossed and turned to the class.
87. Medium shot: the whole class. Pick up Bao Nai and walk back to his seat.
Gibble (outside the picture): Do you all understand?
Students (singing in unison): Got it, sir!
When Bowie sat down, the alarm went off. The boy sitting behind him immediately stood up.
Boy: That's it! alarm!
The others also stood up, yelling happily, and picked up their coats.
Gibble (outside the picture): Hurry up into the air-raid shelter! (88. Close shot: He raises his hand) Before get out of class is over, bring a book. (He closes his book, very calm)
89 with 87: the whole class. The children picked up their own things.
School basement, interior view, day
90. Middle shot: basement passage. The children came in front of the stairs on the right. They continued to walk to the left and joined other children on the back. The two were also lined up in a line, led by a monk. The children roared as they walked, and the camera shifted to the left.
91. Medium shot: The students sat down along the narrow aisle.
Father Michelle (in the background): Hurry up kids, hurry up!
A child (singing): Mother Michelle lost her cat...
Father Michelle: Be quiet!
Gibble sat down facing us. The camera pans to the right to frame the students, the two of them sitting in a row under the light, looking at their books. The camera panned to Julien and Baonai, who were sitting side by side.
Gibble (the camera moves away when he speaks): Now let's talk about algebra. Please turn to page 61...Squaring of Algebraic Numbers: Just like for arithmetic numbers, the power of small a is the product of n common factors equal to small a...
After Julian turned to the page to be taught in this math class, he put an interesting book "The Three Musketeers" on the math book. He lit the small hand lamp on the book. Beside him, Bowie squeezed his shoulders and was in half shadow.
Gibble (outside the painting): …Write a small a first, and then write n on the upper right of small a. What is this called?
One student (outside the picture): called index, sir.
Bao Nai: Can you light it up for me?
Julian: Let me be quiet.
Bowie (persistently): Raise your hand light. I can't see anything.
Julian (unhappy): You really bother me! Oh! you disgust me! (Julian turns his back to Bownet) Jibull
(outside the picture): It's like in arithmetic. Huh, small a is an algebraic number, and surprisingly...
92 starts with 91: Gibble sits facing the students.
Gibble:...The more the number of squares of 5, the more the number of multiplications... (The light in the aisle is already very weak, the students become uneasy, and the whispers gradually rise)...And the number of squares of 6 The fewer times... the
lights go out completely. The children began to speak loudly.
Children's voice: They are bombing the train station.
Another child: No, it's an artillery battalion.
Father Michel came over with a flashlight in his hand.
Father Michelle: Be quiet. Please sit down... I pray for the mercy of the Virgin... (the children pray with him) God is with you, and among all the women, you will be blessed. Jesus, your beloved children are blessed...
93. Feature: Julian and Bao Nai did not pray. Julian shone Bao Nai's face with his hand lamp, and then shone the face of the boy sitting behind him.
Father Michel: ... Virgin Mary, mother of God, pray for us poor sinners, from now until we rest in peace, I hope so.
94. Close-up: Julian dangled the light of the hand lamp on the faces of the children.
95. Close-up: Two boys huddled together, hurriedly separated by the light.
A voice: A pair of lovers... (Laughter)
96. Close-up: Julian and Bao Nai.
Father Michel (outside the picture): Gundan, turn off the light... I pray for you, Maria... Ganlian
changed the direction of the light. Father Michel was upset, but he had no choice but to restart the machine. Pray carefully. Bowie remained silent.
Student dormitory, interior view, night
97. Middle shot: The children kneel in front of their beds and pray, and Moro School Supervisor stands in the back view.
Moreau and the students: May your wishes be realized in heaven and on earth. Give us daily bread. Forgive us, just as we forgive those who have offended us. Don't let us be tempted by evil thoughts and save us from suffering. I hope so.
Yulian draws a cross. Moreau went to the door and turned off the light. The children lie down to sleep. Bao Nai is in the center of the picture. Someone folded his sheets on the bed, and he couldn't get into the bed. The others laughed. Yu Lian looked at him.
Laviron (coming from the background): You only have to sleep with your legs curled up (laughs).
Bao Nai (to Lien): Did you do this?
98. Close shot: Julian was sitting on the bed, but his feet were still on the ground. He spread out the sheets and lay down with his head on the pillow, ignoring Baonai.
99. Medium shot, slightly bent: half-lit and half-dark dormitory. Silence is often broken by soft coughing, snoring, and babbling.
100. Close shot: Julian was resting on a pillow, as if he was asleep, he turned around and laughed, as if he was dreaming. Slowly, he opened his eyes, looked through the sheets on the bed, and then looked around, he stood up.
Julian: Damn, Damn, Damn, Damn, Damn...
101: The action when picking him up with a close shot. He took the towel hung under the bed and wiped the wet sheet vigorously, then unfolded the towel. He lay down again, leaning on his side so as not to touch the wet patch. He was shivering all over. In the background, a child turns his body in his sleep.
Child: No, no, no!
Julian looked at Bao Nai who was awakened by the sound.
Bowie: What? what happened?
He turned to Julien. The two exchanged their eyes and fell asleep again.
Playground, location, day
102. Close shot: A child is doing push-ups. The camera moved to the rear left and framed the physical education teacher standing next to the child. He is over 80 years old, with black hair and beard, muscular, and wearing a sports suit. The other children in the fourth grade class are also doing push-up exercises. The teacher walked back and forth among them.
Teacher: One, two, three, four, five, six...(He presses a student’s mouth to make him straighten)...shoulders back...seven, eight, nine...knee joints are tight , Shoulders back! Your biceps are like scraps of paper. Eleven...
While he was talking, Miss Davina, the music teacher, came. She was young and beautiful, riding a men's bicycle. She rode along the school building (camera pans to the left). The children twisted around to watch her pass by. She greeted the children.
Davina: Hello!
103. Use the middle shot to pick up her getting out of the car: her skirt floated up when she got out of the car. Cheers, outside the picture. François and another "higher grade" student are in the background. A monk passed by.
Teacher (outside the picture): Twelve...knees tight...14, 15...
104. Close shot: Brown sun propped his hands on the ground, turned his face to us, and did not do well in his movements.
Brown Day: She did this deliberately so that we could fuck her ass.
Xilong (next to him): Her ass is better than yours. (Laughs)
Teacher (in the background): Don't talk, Xilong, (105 with 103: The camera is facing Miss Davina. Outside the picture) You have to do 20 push-ups for me.
Miss Davina removed her heavy briefcase from the bicycle shelf, walked towards the building vigorously, and hurriedly greeted the two boys passing by her.
Davina: Hello.
Francois (coming towards her): Miss Davina! I want to find out about my brother, his piano lessons, I want to say...
106. Close shot: Yu Lian faces back (to us), hands on the ground. Wearing a masked bag and gloves.
There are a few notes from the piano...
Music classroom, interior view, day
107. Close shot: Julian sits at the piano, identifying the score. Miss Davina sat a little back, listening to Julian playing the piano while manicuring her nails. When Yu Lian looked at her, he made a mistake. He played slowly and badly.
Davina (not even raising her head): This is a rising (she smiles slightly). Didn't you hear that you played a wrong note? (More gently) Come on, play again... (Julian made a mistake again) You should try playing the violin. Do you hate music?
Julian: Not at all. It was my mother who asked me to learn to play the piano.
Davina (absent-mindedly, watching Bao Nai who is still out of the picture coming): Your mother is doing the right thing. If you don't learn now, you will regret it forever. Okay, it's time. See you on Tuesday.
Julian: Goodbye, miss.
Julian noted the time, then stood up. The camera pans back to the left, and the scene becomes larger. Bao Nai came over, bending over, looking shy.
Davina: What is your name?
Bownet: Jean Bownet.
Miss Davina looked at the music score, while Julian was in the background, slowly putting on the cloak, and reluctantly walked away.
Davina: Let me see how you play. Here, try this paragraph.
Bowie sat down. Davina watched him curiously, but didn't believe how talented the new student was. Bowie began to play slowly, identifying the score. Davina started to manicure again, and after a while, she stopped to look at Baonet, she was both surprised and fascinated by Baonet's excellent performance.
The camera moved towards Bao Nai, who was attentive, playing skillfully and flexibly. Davina smiled.
108. Close shot: Julian walked out of the glass door and hesitated for a while. After going out, he put his face on the glass and looked at the piano. He looked very sad.
109. Close shot: Bao Nai is sitting in front of the piano with her back facing us, Miss Davina's side, she is on the left side of the screen, smiling.
110 ends with 107: Julian regained his composure, his sadness turned into a cheeky.
Julian (gritting his teeth): I really know how to flatter! (He finally walks away desperately)
Classroom, interior view, night
111. Close shot: Bao Nai is doing homework like other students. He opened a book and put it by the table. A folded letter fell from the book to the ground. (Music stops. Camera shakes down to the right) A boy sitting at the table next to Bownet grabs the letter.
112. Close shot: Bao Nai immediately stood up when he saw this scene.
113. Approaching King: The boy picking up the letter passed the letter to the neighbor. The letter was passed around, and the camera moved with Bowie with this action. Bowie wanted to take the letter back. Father Hippolyte stood at the back of the classroom watching the students doing their homework.
Father Hippolyte: Bowie, go back to your seat!
Bowing keeps his eyes on his letter, he returns to his seat and sits down (camera pans to the left).
114. Close shot (the scene is slightly larger): The letter is passed to Yulian. He glanced at Father Hippolyte, then opened it.
115. Aerial shot, close-up, successive actions: The letter is folded neatly, a little damaged, and the font is beautiful.
Julien (stammering and reading while acknowledging): My dear child, you know, it is very difficult for me to write to you. Looking at his letter). When Mr. D went to Lyon, he promised to post this letter. Your aunt and I will try to stay out of the house
as little as possible... While Julian was reading the letter, a boy who came in through the back door of the classroom said a few words to the priest.
Father Hippolyte: Julian Gundan, you should repent.
Julian stopped reading the letter and stood up.
117. Close shot: Bao Nai's left side (left is the stove). Contrary to his deskmate, he did not do his homework. Julian passed by him and put the letter on his desk.
Julian (contemptuously): Your mother can't keep herself at ease.
Julian walked away. Bao Nai's gaze followed, and received his precious letter.
Let the priest’s office, interior view, night
118. Medium shot: Let the priest sit at the desk, with only one light on, and the room is half-bright and half-dark. The priest is on the left side of the screen, and Julian kneels in front of him, three-quarters face up.
Julian: Yes, I had a fight with my sister during the holidays.
Let the priest (gently): Didn't you pull anything?
Julian: I don't think so.
Let the priest: Have you ever had bad thoughts? (Julian does not speak) You know what I want to say, all people have bad thoughts.
Julien ("naively"): Do you have one too?
Let the priest (slightly smile): Yes, I have too. (Julian shifted the weight of his whole body from one knee to the other) What happened to you?
Julian: I have frostbite.
The camera moved closer to them. Let the priest leaned down towards Julian.
119. Close-up: Ask the priest (front) to bend over to look at Julien's knees.
Let the priest: This is because of lack of vitamins... (120. Close-up: Julian front: The priest is on the left) Let Mrs. Bellan give you some cod liver oil.
Julian: It's mainly cold, and the school will freeze to death.
Let the priest: I know. Think of someone more unfortunate than you. (121 with 119) You once told your mother about the seminar.
122. Close-up: the same as 120. Julian looked surprised.
Julian: She told you.
Let the priest: In my opinion, you have no reason (123 to 121) to be a priest. This is a bad job! (The phone rings)
124 (same as 120): Julian turns his head to the phone.
125 with 118: The priest stands up, walks to the desk, and picks up the receiver (frames him in). Yulian stood up and began to analyze prayers.
Julian: I pray for mercy to Maria for you...
A woman's crazy voice (partly inaudible) came through the phone.
Voice on the phone: Hey, let the priest... the mayor heard... this is not a rumor... you should be more careful... I also have to call the governor...
let the priest (calmly): Where do you come from? Heard?
126. Feature: Julian prayed cautiously, turning his head to Father Jean. Finally, he simply turned around to look at the priest.
Let the priest (outside the picture):...Beware of rumors...What do you want me to do? (127. Close shot: Let the priest.) We are all in the hands of God.
The woman was still talking on the phone. The priest slowly hung up the phone, was silent for a moment, lifted his belt, sat down, and looked at Julian who had just been framed in the picture.
Let the priest: Are you okay with that new classmate?
Julian (forward): Is it Bowie?
Let the priest: be nice to him. You still have prestige among your classmates. I rely on you.
128. Close shot: Julian's front view, on the right. Let the priest's back, on the left. Among them is the shining lamp.
Julian: Why? he is sick?
Let the priest: No illness! Okay, go back soon... the
priest made a gesture. Julian left and closed the door.
129. Middle shot: Let the priest sit quietly at his desk and meditate.
Fontainebleau Avenue, location, day
130. Panorama: In the cold morning mist, two students from the fourth and third grades lined up, led by Father Michel. A German soldier passed by on a motorcycle and rode to the right. The students are all wearing scarves and berets. They talk to each other. Julian walked and read a book, and was intoxicated by it. The camera moves with the students to the left and back, then stops to let them pass and follow, back.
Brown Day: Petain is a fool!
Bambino: I don't think so. Without Petain, we would be in trouble.
Brown Day: Who said this?
Bambino: My dad.
Brown Day: My father said that Laval was bought by the Germans.
Sagar (in a teaching tone): Jews and Communists are more dangerous than Germans.
Xilong (turning around): Is this what your dad said?
Sagar: No, it's me.
Brown Day: I am not surprised.
A drunkard sang a song and staggered towards them, and the children laughed.
131. Take the shot of the drunkard on the side street: He was out of the picture, and Father Michel stopped at this time to let the children who had fallen behind to keep up with the team.
Father Michelle: Don't fall behind, keep up!
Julian put the book away when he passed by Father Michel, and now opened it again. Bowie approached him. The camera moved and framed their upper body.
Bowie: This book is pretty good, isn't it?
Julian: What?
Bao Nai (uses his head to indicate the book Julian is reading): "The Three Musketeers", where do you see it?
Julian: They are interrogating Miratti.
Bowie: That bad woman!
Julian (looking at him in surprise): What are you going to do in the future?
Bowie: I don't know. May learn mathematics.
Julien: Mathematics is really annoying, unless you want to be an accountant.
Bao Nai: My father worked as an accountant.
The students went to another wider street. The camera stops. When Julien and Bownet painted, we could see a house full of sorrow in the back view, with black curtains hanging on the door, and the silhouettes of a truck and two young men approached us with their hands. Carrying the box.
132. Close shot: A brick building with the words "Municipality Bath" engraved on the door. The camera retreated to the step next to the entrance. Father Michele stood next to the price target sign and pointed to the price list. Under the stairs, there is a military policeman. The lens is pushed to the door.
Father Michelle: Children, hurry up! Gundan, hurry up... hurry up, Bambino...
Father Michel went in with the last child. There is a placard on the glass of a door:
Jews are forbidden to enter the
bathroom, interior view, Japanese
133. Middle shot: the dressing room in the bathroom. Tiled walls, hangers and benches. Three or four young German soldiers quarreled with each other with towels. Baonet came and sat between a soldier and a boy, (the camera follows Baonet). Bownet stepped back as he passed the German soldier. He lifted his bath towel and beret, and began to unlace his shoes. The German soldier turned to him, and while stroking his soft cheek while talking to his companions, the soldiers laughed. Bowie turned around, pretending not to notice anything.
134. Close shot: Take the locker room from another angle. A soldier put away the towel and sat on a stool, with a boy standing in front of him. The soldier stroked the child's hair. The camera turns to the child, who sees a magazine under the stool. The man next to him bent down to look, and couldn't help but exclaim when he saw that it was a picture of a woman.
Father Michel (outside the picture): Gentlemen, I remind everyone that we are running out of time.
Out of surprise, the children quickly put away the banned magazine.
135. Close-up shot: Browning sits next to the stool where Bownet, Julien and Duvalier sit.
Julian (to Brown Day): You haven't bathed in two weeks, have you?
Duvalier: Bowie, you really don't participate in the Communion? This is a very solemn thing.
Bowie: I am a Protestant.
Brown Day (sit down): Non-believers! It's a despicable person.
Julien (Take off his shirt while looking at Bao Nai): Bao Nai is not a Protestant.
Bowie (impatiently): I am a Protestant.
Father Michelle: Those twins, hurry up.
136. Medium shot: Michele is standing at the entrance of the aisle. On both sides of the aisle are bathtubs or showers with curtains. The priest wore trousers and white sacrificial clothing. When the children came in, the priest pointed out which bathroom to use.
Father Michel: Siron, you use the second one.
Xilong (unhappy): Take a shower, not a bathtub?
In the background, Bambino is fighting with another boy.
Father Michele (to Siron): Yes, take a shower, go and wash... Barbino, what are you doing? Bambino, enough! (He turns to us, the other children come to the aisle) Bowie, you use the innermost bathtub.
Julian: Can I also use a bathtub?
Father Michel (pointing to the first curtain): You use this.
Roland (to the priest): What about me, priest?
Father Michelle (pointing to the window facing the first one): Here, this one.
Roland (in protest): This tub is too small, and my feet are bigger than it.
Father Michelle (annoyingly): Listen, Roland, you can figure it out.
187. Close shot: Julian (front) lying in the bathtub, almost putting his head in the water. There were a few drops of water in the faucet with splashes, and he was concentrating on things, his eyes blank. The camera pushed past, and there was the piano piece that Bao Nai had played, mixed with Miss Davina's soft voice, and the young teacher's unsparing advice to Lien.
Miss Davina’s voice: You should try the violin.
Father Michel (outside the picture): Gundan, what are you doing? I'm waiting for your bathtub.
Yu Lianru wakes up from the dream, wipes his head vigorously with soap, and then plunges into the water.
138. Close shot: Father Michele opened Julian's curtain, very surprised, and hurriedly walked to the bathtub (the camera moved with it).
Father Michelle: Oh my goodness!
139. Close-up, overhead shot: The priest pulls Julian, who seems unconscious, with both hands. After a while, Julian began to laugh. The two faces are very close.
Father Michelle (angry but relaxed): Little naughty ghost! I told you to make you hurry up!
140. Approaching Jing: Father Michel clamped Julien under his arm and raised him. Julien stood naked in front of him, the priest avoiding his eyes.
Julian: It's not my fault... (the priest walks away)
141. Close-up: Julian's front.
Julian: ...My soap doesn't foam.
Julian laughed, he thought about and took advantage of Father Michel's panic.
Bathroom, exterior view, day
141. Middle shot: stairs. The students stood scattered between the door and the stairs. They want to be warm and pull the beret very low, their bodies trembling.
Brown Day: Hurry up, it's freezing to death.
Father Michel came to the door, and a young man in a light-colored shirt quickly and quietly descended several steps. He was wearing a coat stitched with yellow stars. The camera was pulled back slightly, and Bambino and Browne watched him passing by with a look of surprise on their faces.
Bambino (a step behind him): This man is really courageous.
Brown Day (resolutely): Shut up, Bambino!
Father Michelle: It's cold, we ran back. Go, hurry up.
Julian walked forward. His hair was wet and his beret was not on.
Father Michelle walked with the last few boys.
Student dormitory, interior view, night
143. Close-up: Julian is sleeping. Whispers whispered from the screen. The sound seemed to wake him up, and he turned back. The camera pans upwards and frames Bao Nai. He stands in front of his bed, his eyes closed, and one hand is placed on the other. He was memorizing an incomprehensible prayer. There are two burning candles on his bedside table.
144. Close-up, leaning slightly: Julian is awake, watching in surprise, and then closing his eyes.
145. Feature: Bowie also looked at Julien and knew that he was awake, so he continued to pray.
146 Same as 144. Close-up: Julian opened his eyes again.
Playground, location, day
147. Panorama: On the playground, a statue of the Virgin is placed in the middle of a small piece of lawn covered with snow. The roof was covered with snow and turned white. The sky is gloomy and the weather is very cold. Moreau ran over, followed by the students, and he told them what to do. The camera moves to the right to follow the front few students.
Moreau: Extend your arms backwards, hard...bend your arms, one, two... and then one, two... (The picture stops on the small door facing the street. Outside the painting)... Extend your arms backwards... Bend your arms again ...Bent arm...
The door opened, and three self-defense team members (in "traditional" clothing: gray-green uniforms and feathered berets) immediately walked to the building on the left. The camera moves accordingly.
148. Panorama: Moreau ran to us, watching the self-defense team members carefully. He stretched his arms and ran again, with Julien following him tightly wrapped.
Roland: Hey, they look like rabbit hunters.
Xilong: No, they are members of the Self-Defense Forces.
149. Panoramic view: Ask the priest to come out of the building, and he walked towards the group of people barefoot in sandals. Mrs. Bellan watched from the kitchen door, and Joseph passed by.
A self-defense team member: search.
Let the priest (resolutely, others surround): You have no right to enter here. This is a private school with only some (150. Close shot: Bao Nai stops running and looks. Outside the picture) children and believers. (The superintendent comes to Bao Nai and pats him on the shoulder. The other students also come over.)
Bambino: What do these bad guys want to do?
Self-defense team (outside the picture): We are ordered to search.
Let the priest (outside the picture): Whose order?
151 to 149: The self-defense team members walked quietly to the door.
Self-Defense Officer: Order of our head.
Let the priest: I want to sue.
Self-defense team (shamelessly): Who do you tell?
152. Middle shot: The children ran to the right. Morrow returned to the back scene and walked quickly towards a small door.
Moreau: You can go in now. The search is over.
Students (happily): It's over? Oh!
153 with 151: Father Michel ran to the left of the screen, and the students walked in the other direction. He took Bowie's arm and drew him to the door of the back scene. The camera moves with them. Julian followed them curiously. In the background, Bao Nai, Julian and Father enter the building. Julian put his hands in his pockets and stayed there alone.
Joseph (whistle, outside the picture): To tell you, unfortunately, your jam happened. Do you have any others?
Julian (turning to Joseph outside the picture): What happened? What are those self-defense team members doing?
The camera is framed by Joseph, who is carrying two large empty trash cans.
Joseph: They have nothing to look for. Someone told them that there were people who evaded military service in the school.
Julian: What does it mean to evade military service?
Joseph: Those who are in hiding, because they don't want to go to Germany to do the work that others force them to do... Moro Supervisor is one.
154. Close-up, Julien (front) is wrapped tightly, Joseph is in front of him, looking across the shoulder.
Julian: Really?
Joseph: That's right. Moreau is not his real name. However, this has nothing to do with me. (End of 155 with 153: Joseph raised his leg back, like a child) Because of my legs, I can be exempt from military service.
Mrs. Bellan opened the kitchen door and yelled with that shrill voice.
Mrs. Bellan: Joseph!
Joseph (impatiently): Here comes...she is worse than the German.
Joseph went away. Julian (out of the picture) ran to the other door.
Danxiu's voice (outside the picture): ...Roland, medium, 9.5 points...
Classroom, interior, day
156. Close shot: Danxiu walks between the two rows of desks to hand out workbooks. The camera pans to the left as far as Julian.
Dan Xiu: Bao Nai! Didn't Bowie come?
A s
View more about Au Revoir les Enfants reviews
