German officer's position

Elouise 2021-10-13 13:05:28

After watching the pianist, I was full of interest in the protagonist, and lingering doubts about the German officer. The Jewish director, who had experienced the purgatory of World War II, had an ambiguous attitude towards the German officer. What motivation did he do to help the pianist? What? The

officer's son saw the pianist himself after the war and was imaginatively touched. Before that, the officer's widow took out the war diary of her husband's death, which recorded the father of five children's contempt for the Nazis. The existence of this kind of diary is actually a time bomb on himself, and he himself is aware of this danger. In the autobiography of the pianist, the officer’s statement is described, and he is ashamed of being a German.

In Peace In the ages, he can be labeled as having a conscience. In the war years, conscience cannot be defined.

He was originally a teacher of the ethics school, joined the army, and went from a low-level to a high-ranking general in Poland. The process in the middle made the Jews refuse to treat him. Chase as a hero, even though someone came out after the war to prove that he saved my brother, younger brother, younger sister... the

pianist has also been working hard to get him the "due" honor, but he did not fulfill his wish until his death. .

now, before the offspring diary build pianist and officers later found and objects, out of a pass. the cover is his photo, handsome than the movie!

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Extended Reading
  • Cheyanne 2022-03-25 09:01:04

    Roman Polanski's scene scheduling can also surpass Spielberg, and the dark green and yellowish picture style seems to have become the impression color of an era. The movie itself is like a sentimental Chopin, flowing smoothly and naturally through brutality and blood, and has been brewing a prelude to a climax, but in the end it ends flatly, directly letting you realize the endlessness of war and reincarnation of fate while caring about the unending.

  • Cassandra 2022-04-24 07:01:01

    80/100, a film that shoots "instinct", reflecting the big background from a single and small point of view. The protagonist's social identity (pianist) has an instinct for performance, as life itself has an instinct for survival. Playing subconsciously with both hands and running mechanically with both feet, not only are they oppressed, they are also hungry and cold, but this is a lucky person. //The presentation is more objective and realistic. If you deal with the thriller direction, you may have a different experience.

The Pianist quotes

  • Radio announcer: Poland is no longer alone.

  • Halina: We could hide the money. Look here. We can hide the money under the flower pots.

    Father: No, no, no, no, I'll tell you what we do. We use tried and tested methods. You know what we did in the last war? We made a hole in the table leg

    [taps the leg]

    Father: and hid the money in there.

    Henryk Szpilman: And suppose they take the table away?

    Father: What do you mean, take the table away?

    Henryk Szpilman: The Germans go into Jewish homes and they just take what they want, furniture, valuable, anything.

    Mother: Do they?

    Father: Idiot, what would they want with a table, a table like this?

    [rips a piece of wood off the table]

    Mother: What on earth are you doing!

    Halina: No, listen. This is the best place for it. No-one would think of looking under the flower pots.

    Henryk Szpilman: No, no, no, listen, listen to me, I've been thinking...

    Wladyslaw Szpilman: Oh, really? That's a change.

    Henryk Szpilman: You know what we do? We use psychology.

    Wladyslaw Szpilman: We use *what*?

    Henryk Szpilman: We leave the money and the watch on the table, and we cover it like this, in full view.

    Wladyslaw Szpilman: [amazed] Are you stupid?

    Henryk Szpilman: The Germans will search high and low, I promise you, they'll never notice!

    Wladyslaw Szpilman: That's the stupidest thing I've ever seen, of course they'll notice it. Look.

    [takes the violin and a bill, folds it and slips it into the opening of the violin]

    Wladyslaw Szpilman: Look here... idiot.

    Henryk Szpilman: And you call me stupid?

    Mother: No, that is very good, because that is the last place they will ever look.

    Henryk Szpilman: This will take hours!

    Mother: We're not in a hurry, we'll get it back...

    Wladyslaw Szpilman: It won't take hours.

    Henryk Szpilman: How will you get them out? Tell me that, tell me how, I'd like to know, how would you get them out. You take each one out individually...

    Halina: No-one listens to me, no-one.