The first "Pather Panchali" (Pather Panchali) of the poetic realism "Arp Trilogy", adapted from a novel by Bibhutibhushan Bandyopadhyay, has made the world film world remember the name Rey, and Indian movies have not It's just a synonym for gorgeous singing and dancing and cheap moral drama. However, what is even more amazing is that Rey’s debut, mature technique and style, sophistication in narrative and superb art, is not inferior to the famous film masters in the world of film.
The paintings are full of poetry, and the scenery is delicately portrayed, watching the train through the reeds, frolicking in the rain, snakes squirming in the stone steps, kittens frolicking in the garden, and dragonflies lightly touching the water. . .
On the soundtrack, Ravi Shankar's sitar and bamboo flute are full of the mysterious and exotic atmosphere unique to India. They are integrated into the plot and the soundtrack of the picture, with a vengeance and mysterious mood.
In the plot, in the scene where the father returned, the mother remained silent until the father took out the saree that he bought for his daughter. The dam in the mother's heart was instantly destroyed and she couldn't cry. An emotional climax is just right, there are not too many lines that are disease-free, and there is no hypocritical acting. Everything is so real and natural, reasonable and exciting.
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