When he arrived in Bucharest, Charlie's supernatural powers seemed to be sealed by the vampire Count Dracula. . . . GABI's affection for Charlie seems to be based on his father's breath, and Charlie seems to fall in love instantly. The love is unreasonable and unreasonable. Maybe she is the first opposite sex to deal with in a foreign country? How persuasive is this love?
Next, I inserted the last scene of VERDI's "Masked Ball". Because I love this opera so much, I look back at the end and find that the scenes in this scene are completely metaphorical! In fact, the ending of the whole play is completely revealed here. The story of the masquerade ball is about the betrayal of love. The governor was shot and killed by his mistress's husband, misleading the audience, thinking that Charlie would be killed by Nigel, and the ending was reversed.
Charlie's performance in the later period can't support the scene, thinking that he can rely on spiritual power to do something, but unfortunately, except for the chase at the subway station, which is a bit full of IQ, the other only adolescent boys have irrational impulses.
GABI empathizes with Charlie because he loves his father? Or did you find an alternative to Nigel? Or was it because Charlie and the underworld moved her by force? ?
A person who is touched by music, a person who loves cellist deeply, should have a noble soul, how could he still be in the underworld, full of F-WORD? Nigel’s love for GABI, and even indulged her in mastering the video tape of her own murderous deeds, As a triad killer, this violates basic common sense. The director takes it for granted, and ignores the logic of life in order to exaggerate the unforgettable love.
The overall rhythm of the film is not coherent, sometimes literary, sometimes psychedelic, sometimes spiritual, sometimes violent, and it seems unnecessary to let the male lead Guoguo attract attention. . . The screenwriter and director seem to have to grasp everything but not the center of gravity.
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