For a long time, I have been accumulating the number of movie watching crazily, hoping to appear to be a little better, so many movies, dramas, and even books, I read the bottom in one breath and then stopped reading.
At the beginning, there were two worlds, with white snow on this side and warm sunshine on the other side.
The girl who hit the tree here didn't know it, but there was a boy over there that fell head-on and fell hard enough.
Somewhat unexpectedly, the boy who was holding the A-examination paper and snickered became a little thief with a pickup truck; what is even more unexpected is that the ski girl married and married a doctor-you fucking in Tease me? !
But thinking about it carefully, the film has begun to bury clues.
At the party, becca didn't know where to cast her eyes, and the inexplicable "illness" made her feel embarrassed in the "decent" party. In the bar, Dylan doesn't know how to flirt with girls, and you can feel his embarrassment in the dark.
Then under the snowy sky, under the scorching sun, after twenty years, they finally "meeted" like a car crash.
I hate to see the way, so I still can't appreciate "The English Patient", and I really struggled with the setting of the girl being married for a while.
But the screenwriter is too thief, they took off guard against each other the first time they "dated", Dylan was funny and cute, and becca was gentle and comfortable. They are jumping around like two children who have known each other for a long time-yes, they have appeared in each other's lives long ago. Everything is so natural, every time we chat, we talk about familiar and unfamiliar scenes, filling common memories.
——Sorry I ruined your summer.
It is this sentence that makes me not entangled. (Screenwriter, you pay for my pure and young moral spirit!)
Looking into the mirror, they said: Hi.
They should have felt it, but they were uneasy but couldn't help smiling and acting like a baby, just like first love.
Then they became different from what they were, or in other words, they finally got back to who they were.
Why not fall in love?
Why not be together?
I can't wait to see an outbreak!
Becca ran to her husband's hospital temporarily. She found that she had disrupted her husband's schedule. Then she was cramped and cautious. She was afraid of saying anything wrong in front of her husband. The scene turned, and night fell, she was shaking her feet on the bed, while putting snacks in her mouth while working as a love strategist for Dylan. She was a weird elf, she was rude and cute.
Play off is inevitable, so I can only explain in embarrassment and cover up to the lover.
All their emotions seem to belong to each other, even quarrels.
"Good night."
"Good night."
"Good night..."
"Good night..." There
seemed to be no choice.
Almost across the diagonal of the entire country, there is only a bottle of wine between two unreachable people.
This is the least superfluous sex scene (face covering) I have ever seen, and I didn't even have to choose BGM.
The grandmother in "Paddington Bear" said: He needs you just as you need him.
After that, all the unsatisfactory things, all the sudden changes, and all the dramatic conflicts actually express the same meaning.
When the two broke up, the picture on Dylan's side was not as warm as before, and the sunlight was slightly pale.
I don't think that becca's husband is portrayed as a cold person. He is just more mature. He is a bit like the busy parents in our lives, working hard to take care of us, but there is no time to get close.
So empathy is too precious.
So one can put aside everything, travel through the seasons, and fly to the other.
The distance between the two people is getting shorter and shorter, so becca becomes more alert and agile, and Dylan becomes more handsome and gentler.
There really is no choice.
So I could only run desperately, and couldn't stop in any case, and the train chasing the rumbling forward didn't feel tired.
...
In the snow-covered forest of New Hampshire, the warm tones of New Mexico finally appeared.
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