But I didn’t expect the plot to be so naive...
really, this film is not recommended for anyone other than peach fans, and even the heroine fan is not recommended (her setting is too unpleasant)
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The beginning of the story explains that the hero is because of childhood When my mother left without saying goodbye, I couldn't feel love and didn't believe in love, but in fact, the most fundamental reason was that I didn't dare to love because I was afraid of losing.
A series of cannon fodder passers-by were also arranged to prove the male protagonist’s "unable to love" characteristic.
However, this setting has no use for eggs, no use for eggs, and no use
for eggs because at a certain party he ran into the heroine, and the sky thunder was stunned and fell in love.
Now that you can fall in love with this setting, why do you arrange this setting? There is nothing peculiar about the heroine, so if there is no reason, what is the meaning of the cannon fodder girl in front!
Then the heroine has a stable relationship with a boyfriend who is of course not true love. To be honest, this setting is quite unpleasant. If you change to a stable girlfriend and come to find true love, you will probably be scolded to death.
I remembered that the same setting also appeared in midnight Barcelona, but it was handled more credibly. Vicky was so resistant to Antonio at first because she was afraid. She was afraid of the unknown that could disrupt her life balance, and then got along. Attracted irresistibly, Antonio is full of chaotic and dangerous charm, and other things in life seem dull compared to him.
Miss falling in love with the prodigal son is simply an eternal theme.
Far away, but when it comes to this, the female protagonist who is steady but longs for freedom and true love and the male protagonist who seems to be slutty but really treats each other, this setting is too old...not only old, but also a strong Marisu flavor.
I feel that I have watched a lot of these movies. At first it was ONS, and then it got deeper and deeper, and then conflicts aroused, and then friends persuaded, and then suddenly realized, and then ran at the airport to find someone, and then confessed love.
If it were placed thirty years ago, it would still be very touching.
In fact, the main reason is that the plot logic is too fragile to withstand scrutiny. The motives of the male and female protagonists are unclear. The plot relies on narration and a lot of friends to ask explanatory questions.
The biggest role of the childhood shadow terrier is to hinder the male protagonist from pursuing the female protagonist in the middle, but because there is no explanation before why the female protagonist is "THE ONE", it seems very unconvincing, so the audience can't empathize with him and only feel that the male protagonist is really "pussy" "Ah...
and then I went to bed with the hostess and healed the shadow of childhood... I read too little, so don't you lie to me!
Or the director was a virgin before implying the male lead, so... If it is for this reason, I can accept at most that the director has a big brain, not that the director is brainless
. , Just meet a female protagonist, so you can love it again, it’s okay to go to bed and save money to see a psychologist, true love can cure all diseases
such a false story, it’s hard to move people. And if you can't move people, love movies will lose half of their brilliance.
The other half? Of course it’s the face of the hero and heroine(.
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I’m too free to come, I’m actually just to see the
shortcomings mentioned above by Tao Zi’s face (and sex scenes).
Yes, Tao Zi is so good-looking, worth it Up
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