An interesting thing, the past youth films love to talk about growth, "Blue Kite", "My Father and Mother", "Sunny Days", the youth of that generation is a bit distorted. No way, the childhood of that batch of directors was abused by the state. Youth is a history of humiliation. In "Seventeen-year-old Bicycle" or "Xiao Wu", growth slowly returns to the individual, and the youth is human in the end. Things always change. Now, for "To Youth", "The Year in a Hurry", "All Things Grow" and "Left Ear", growth is not that important anymore. What is youth? It's a bastard.
The same bastard is somewhat easy to accept. For example, in Li Yu's "All Things Grow", the scumbag is so straightforward. Fan Bingbing will be a junior when he is dead, and Han Geng is a walking genitalia. There is a poetry, there is a fate of thousands of miles to send forcing, but no fate, the other side can't fuck. Anyway, everyone is youth, anyway, youth is a bastard, anyway, everyone’s youth is "you can't kill me, you're not human".
Assholes belong to assholes, they are very open.
The other type is difficult to accept, "To Youth", "The Year in a Hurry" or "Left Ear" are all bastards and pretend not to be. This matter is of course nonsense, especially considering that the directors are all middle-aged. As long as you have experienced it, you will know that the core of the middle-aged crisis is hypocrisy. A group of middle-aged male and female directors who have finished the crisis suddenly become youthful overnight. This is how things are going on.
Without the bitter hatred and growing pains, Zhao Wei, Zhang Yi, Bai Su, and friends are making hair, and when it comes to youth, they are fucking. You see, middle-aged people's memory of youth is so superficial, as if in Stephen Chow's version of "The Deer and Ding Ji", Wu Mengda, who plays the eunuch, misses his cut off dick. You miss it yourself, and I can't control it, but it's a bit disgusting to insist on selling the little hands that were soaked in formalin.
When a person masters the resources in his middle age, he will have the capital that he thought of that year, and the few that we will eventually lose, endlessly playing hooligans in the intoxication of youth. The problem is, a few shrunk in formalin, even a few catties of powder will not harden.
As long as you figured this out, watching "Left Ear" shouldn't be a surprise. In the film, it seems that every lad is beating a woman. Li Scaran is beaten by Zhang Yang. After the fight, he goes home and writes "Must make you happy"; Jiang Jiao is beaten by a black man. Yang seeks revenge; the heroine Li Er is not spared either. A passerby comes out and smashes a bottle of wine and feeds Xu Yi at home (check the encyclopedia before writing out each name).
Tell me, Su Youpeng finds a group of children and girls, and then everyone in the film has a fight, why? The middle-aged man who has broken a dick loses the courage and ability to fuck, so he can only act like a eunuch. While lusting every woman in love with me, he slaps and beats! hit! hit! Hit a woman!
The prostitution is over, and the fight is over, and suddenly there is a literary and artistic expression: It is said that the left ear is close to the heart, and sweet words are to be spoken to the left ear. The wretched middle-aged man, the one near the heart is the left breast. Fuck off.
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