Many, the relationship between father and son "As Father Like Son", the actor is still called a lot, and the name is the same as the character played by Hiroshi Abe in "Non-stop" and "Back to My Home". Although the many characters played by Masaharu Fukuyama are arrogant and successful in their careers, they are slightly different from those played by Hiroshi Abe who are difficult and slightly clumsy in their careers. But the common problem that many people face is the alienated and inharmonious relationship with their father. From "Non-stop" to "Back to My Home" and then to "Father Like Son", the relationship between father and son has become a question that has been discussed repeatedly in Hirowa Kee's movies. Although "Like a Father Like a Child" is developed with a dog-blooded bridge that hugs the wrong child, Zhi Yuhe is very clear about what he wants to express. He is not interested in presenting this story. What he is interested in is the various reactions, countermeasures, and changes of the character under such a background, and many are also the absolute core characters of the entire film, whether it is Keita or Liuqing is actually not as important as the children in "Nobody Knows" or "Miracle", they are just a foil. In other words, in this movie, the director is not so much dealing with a father-son relationship, as it is that the director focuses on presenting, as a father, how to deal with the father-son relationship, how to learn and grow from experience, and this experience He also rethinks how to be a son. The analysis of the drama is still full of Ease Hiro and Style. Quiet, restrained, reserved, any overly dramatic plots or performances are omitted or suppressed. However, under closer inspection, everything is precisely arranged and arranged, the narrative is precise and strict, every transition and every emotion of the character is progressively padded, and the seemingly chatty dialogue also has its own meaning, in short That is, there is no nonsense line, no useless scene, every detail is a drama. *Many of a series of foreshadowings from not wanting to exchange children to deciding to give up Kyodo. The most fundamental reason for abandoning Kyodo is that he is obsessed with blood, and the most direct manifestation of blood is not like, this like is not like one The aspect is appearance, and the more important aspect is intelligence and character. This is also the aspect that a lot of people really care about. At the beginning of the film, through Qingduo's admission interview, many said his evaluation of the child: steady, gentle but lacking enterprising spirit. But many themselves have the opposite character: aggressive, unwilling to admit defeat, tough and arrogant. Such a character contrast has created a more harmonious father-son relationship between Kyodo and Kyodo. , We can see Liuqing’s speechless resistance and a lot of patience and helplessness), It also caused a lot of dissatisfaction with Qingdo's lack of self-motivated and not good enough. And this kind of father-son relationship also appears in "Non-stop", which means that many of them cannot meet the expectations of their fathers. Although this fundamental reason has been shown from the beginning of the film and has been repeated throughout the film, many changes have been made after the issue of why the wrong child was held was revealed, that is, when the truth of the issue was revealed. After it was revealed, it entered the stage of how to solve this problem. Although the two families were also trying to exchange accommodations before, many also made suggestions for taking in two children. Here, the director first designed a lot of scenes where he went home to visit his father. Many of the relationships with his father could be glimpsed from this. In the seemingly random chat, he explained the following information: The stepmother has a bad relationship and doesn’t go home often, and because she doesn’t approve of her parents betting on horses, she doesn’t provide living expenses. Many have a bad attitude towards her stepmother. Second, the father complained about the neighbor’s child playing the piano. People; The third is that the father asked about the child's problems, and the advice he gave was to change the child back. Blood relationship is very important. On the contrary, the stepmother later told a lot of people that although they have no blood relationship, they will be alike after living together for a long time. These three points all have their functions and meanings in the narrative, but it is the latter two points that have contributed to many changes. The complaints about the piano sound reminded a lot of Kyodo’s playing piano, and the following concert basically foreshadowed Kyodo’s lack of talent in playing the piano. It was likely that he was like a neighbor’s child, and he would not be able to study for a long time. , This plot is a pre-paved. The third point is the father’s suggestion. Although many of them are at odds with their fathers, they also disagree with their fathers in various ways, but they agree with their fathers’ viewpoints by blood. This is also a kind of representative parent-child relationship that I feel from my life experience: the more like each other, the more disagreement with each other, but in the end they often end up in the same way by different routes. After that, many returned home and saw the two handmade flowers made by Qingdo. They were originally for himself, but they were told that one was for Xiongda. From the many apparently lost expressions, we can See a lot of jealousy. Many were originally arrogant and looked down upon Xiongda, but now they have to share Qingdo's love "equally" with Xiongda, naturally very uncomfortable in their heart. Behind the scene is the male family. Looking at the children playing, many and Yuka are discussing what should be done. Green is also present, but basically has no right to speak. ). Although it was not shown in this conversation whether to exchange children, many and Yukari believed that the decision should be made as soon as possible. Then came two slightly lyrical scenes, Keita and his younger siblings My sister sent Yukari to work, and went to the takeaway shop where Yukari worked to get takeout home. Keita, Yukida and other children lay on the grass together, and Xiongda talked about summer plans. These two scenes can be regarded as the bit by bit portrayal of Keita Jaeo during the exchange stay, or as Yukari's imagination of the future. (But since the whole film is presented in many families, the first one may be more reasonable) The following is the most important and direct piano recital that contributed to many changes. Keita’s performance was not satisfactory and he was very Other performers expressed their heartfelt compliments. Many people were very dissatisfied and told Qingdo that if they were not unwilling, they would not have to learn any more. After this scene, through the dialogue between Lu and Yuanduo, we learned that Yuanduo had decided to give up Kyodo. The above scenes basically present a progressive foreshadowing, and the concert is the last straw. * After Liuqing entered a lot of places, a series of changes have set a series of rules for Liuqing, but Liuqing "unchanged after repeated teachings", many from patience to small outbreaks. In getting along with Liuqing, many experienced a certain sense of failure for the first time, and hoped to be liked by Liuqing. There are three small plots in the middle. One is that many bosses suggest that many who have been stepping on the accelerator can stop and spend time with their families. Second, he received a lot of compensation from nurse Miyazaki. (Because Ryuqing did not listen to her discipline), angrily, he found the nurse to return the money to her and refused her apology. At this time, the nurse's stepson came out to try to protect his stepmother. This caused many to be deeply moved, and called his stepmother to apologize for what he had done. The third is a lot of conversations with forest rangers in the woods. The rangers told many cicadas that it takes fifteen years from laying eggs to hatching to the birth of larvae, and many lamented how long the time is. My understanding here is that a lot of people realize that it takes time to grow or nurture, and sometimes it may be a long time. As Xiongda told him before, raising a child takes time. (This point fits well with the theme expressed by Hirokazu Kee in "Non-stop": the inheritance of life between health and death) Then with Liuqing's running away from home as a turning point, Liuqing's running away from home is not a harmonious relationship between father and son. , The portrayal of Luqing being unhappy here (of course, Hirokazu Ke gave a very direct reason-Liuqing wanted to fly a kite), and because of this action, it reminded a lot of the behavior of running away from home when she was a child. As a result, he not only feels the child's resemblance to himself, but also has a sense of identity with the child's actions. After this turning point, a lot of obvious changes have changed, and they have started to play with and mingle with the child like an older child, instead of all the time before. Establish a kind of father's majesty. The significant and obvious change was that after Liuqing made a wish and said that she hoped to return to her parents, Lu was surprised, and Liuqing apologized, but many said, "It's okay." For many tough and competitive people, it is very touching to be able to say such gentle words so empathetically at this moment. This part is very short, and quickly entered the next turning point, that is, many decided to find Qingdo. And this turning point has been paved by Green before, that is, Green said that he likes Luqing more and more, and feels like betraying Kyodo. At that time, although many did not speak, he was sure that he must have the same feelings. , Even worse than Lu, because although he cares about Qingduo, but he rarely has time to spend time with him, and has never played with him like Liuqing. Next is the plot of seeing the photos taken by Kyodo on the camera. Those pictures show Kyodo’s silent love and gentle gaze towards his father. The plot is moving and powerful, and many changes are reasonable. *Is Kyodo’s escape in the end too dramatic? Why did Kyodo run? Many people looked at the photos and were deeply moved, so they went to Kyodo. When he called Qingdo's name and tried to step forward, Qingdo ran out. It was his father who escaped from Keita, not his mother Green. There was a scene before. Lu and Liuqing had a meal. Lu received a phone call and hid in the room to pick it up. Through a few words of conversation (Daddy is not at home, I will keep it secret for you), it can be inferred that it was Kyodo's call, and also It can be learned that Kyodo has always been in contact with his mother Green. But he could not contact many, because many asked him not to call home, but to complete it as a task, and Qingdo loves his father and hopes to achieve his father’s expectations, so he can’t contact many or make a fuss anyway. Family. When Liuqing ran away from home, many came to pick him up. Qingduo first got up to the door after hearing his father's voice, but after hearing that his father had come to see Liuqing, he hid. Obviously the reaction after being injured. And Kyodo’s last escape was also an escape after being injured, and said that you are no longer my father. When and how did Kyodo learn that his father is not the real father? With the character and educational style of the Xiongda family, it may not be as serious as many to tell Qingduo these things, so Qingduo may have understood that this is not a task early on. Before he was sent away, two details suggested that Kyodo might have understood it early. One is that when Green complained a lot about Kyodo's decision to give up Kyodo, the director gave a shot of Kyodo not falling asleep in the room. He probably learned this sensitively from the conversations of his parents. Second, immediately after this scene, when Kyodo and his father were playing on the turntable downstairs, many said that they would give the camera to Kyodo, but Keita refused. At that time, Keita might once again feel that his father wanted to give him a gift as a goodbye, and his rejection was also a struggle. So if Qingduo understood that this was not a task early on, then he felt a lot of abandonment to him and the damage he suffered even more profoundly. He may forgive a lot for his gentle temperament, but the visit caused him another injury during the visit, so for the second time, he could not forgive a lot, and he refused by running away. And this escape seems more like a ritual. Through such a ceremony, the relationship between Miyako and Kyoto has been reversed. If we say that Qyodo was ordered to complete the task before, Miyako is a God who does not make mistakes, and Kyodo is a follower of many forever. So this time, Liang Duo became a follower of Kyodo and apologized to him. In such a reversal, their father-son relationship has undergone a change, but this change stems more from the insights and changes after this series of experiences. As far as the narrative of the whole play is concerned, it can be regarded as a model for the play. Children's shoes who learn to write scripts can draw a piece of film, and there are definitely a lot of gains.
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